Dante Sisofo Blog

Can You Print Small JPEGs Large? 17×22 Test (Ricoh GR + Canon Pro 1000)

Can You Print Small JPEGs Large? 17×22 Test (Ricoh GR + Canon Pro 1000)

What’s poppin’, people? It’s Dante.

Currently running my first test prints here in the dojo.

Got the prints on the wall with the laser jet, and yeah… I actually used some Photo Paper Pro Luster Canon paper today. 17 by 22 inch paper. First time turning this printer on in about 4 years.

And so… considering it’s been like 3.5 years now photographing with my new workflow… I figured it’s time to start printing.

Also—it’s been a decade of photographing.

And I genuinely have no prints of my work.

Over 10 years.

So yeah… it’s time.

The First Print: Philly

What better way to start than printing my official Philly photo?

We’re going behind the scenes.

I’ve got some mythic imagery here—something that inspires me deeply. We’ve got the energy of David and Goliath. And I’m giving my own homage tonight.

This image is a mashup:

  • The Creation of Adam
  • The Temptation in the Garden of Eden
  • Philadelphia symbolism

My brother pointed something out…

The tail of the snake looks like the Philly “P.”

Now I can’t unsee it.

We’ve got the P.
We’ve got City Hall standing tall.
You can even catch William Penn up there.

The Capture

This was shot on the Ricoh GR IIIx using the 71mm crop mode.

Settings:

  • F16
  • Snap focus: 1 meter
  • 2/5 of a second
  • ISO 3200
  • Middle of the night

It’s blurry.
Grainy.
Not critically sharp.

Dust marks everywhere.

And I love it.

It’s extremely imperfect… and that’s exactly why I want to print it.

The Workflow

Small JPEG.

High contrast.
Black and white—cranked straight out of camera.

No real post-processing.

I did use super resolution in Adobe Lightroom just to upscale it.

Original file:

  • 2240 × 3360 pixels
  • ~4.4 MB

Angel numbers.

Boom.

Why Print This?

Honestly?

I just like this photo.

That’s it.

There are probably “better” test images…

But I don’t care.

This one hits.

Books vs Prints

Up until now, I’ve been printing my work in small trade books.

Using standard black-and-white text paper from Blurb.

Not even real photo paper.

And I actually love it.

It fits the visual diary aesthetic:

  • Thin pages
  • Lightweight
  • Intimate
  • Fast to produce

It feels like flipping through thoughts.

I’ve been building these archives mostly for myself—just systematizing how I engage with my work.

Clean. Efficient. Repeatable.

The Difference

But now…

We’ve got real paper.
Real ink.
Real blacks.

Let’s see what happens when the image actually lands properly.

Nice ink laying down the blacks… that’s the test.

Behind the Shot

I even filmed the moment I made this.

That’s the beauty of documenting everything.

You get to relive it.

This snake—Athena.

Shoutout Rodzilla.

I’m crouching, working the scene, clicking through moments.

And somehow…

It all came together into this one frame.

The Print

Final result?

Small JPEG.
High contrast.
Blown up big.

And honestly?

Looks good to me.

It’s kind of ridiculous printing something this gritty and graphic at this size…

But also…

Kind of sick.

Closing Thoughts

Ten years of shooting.

First real print.

Feels like a new chapter.

Do I wish I had a Fuji medium format with insane megapixels?

Sure.

But that’s not the point.

The point is: start printing.

Philly on the wall.

Let’s go.

Time to sleep.

Photography Library by Dante Sisofo

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THE COMPLETE STREET PHOTOGRAPHY BLOG POST ARCHIVE

A structured navigation of all posts.

📚 E-BOOKS

A growing collection of street photography guides, visual archives, books, and raw knowledge — all 100% open source.

These e-books are free to download, remix, share, and learn from.
No paywalls. No permission needed. Just keep the spirit alive.

The Unedited Frames Behind the Frame

A decade of photographs. 11 full contact sheets from shoots in Baltimore, Jericho, Zambia, and more — paired with real stories and lessons on intuition, composition, courage, and storytelling.

“Don’t leave the scene until the scene leaves you.”

Depth, Presence, and the Visual Puzzle

This guide breaks down layering as both a visual technique and a way of being present in the world. Featuring real-world examples, behind-the-scenes GoPro POVs, and field philosophy.

Patience. Presence. Position.

Settings, Techniques & Workflow

Camera setup. Snap focus. Tourist technique. Composition on the fly. Workflow from camera to blog. Everything you need to master the Ricoh GR as a street weapon — no editing required.

“Your next photo is your best photo.”

  1. The Epic of Gilgamesh
  2. Homer – The Iliad
  3. Homer – The Odyssey
  4. Hesiod – Theogony and Works and Days
  5. The Bhagavad Gita
  6. The Dhammapada
  7. Lao Tzu – Tao Te Ching
  8. Confucius – The Analects
  9. Early Greek Philosophy
  10. Heraclitus – Fragments
  11. Sophocles – The Three Theban Plays
  12. Sappho – Stung with Love: Poems and Fragments
  13. Aeschylus – The Oresteia
  14. Euripides – Medea, Hecabe, Electra, and Heracles
  15. Aristophanes – Lysistrata and Other Plays
  16. Plato – Complete Works
  17. Aristotle – Poetics
  18. Aristotle – De Anima (On the Soul)
  19. Aristotle – The Metaphysics
  20. Aristotle – The Politics
  21. Aristotle – The Nicomachean Ethics
  22. Epicurus – Letters, Principal Doctrines, Vatican Sayings, and Fragments
  23. Xenophon – The Economist
  24. Publius Syrus – The Moral Sayings of A Roman Slave
  25. Ovid – Metamorphoses
  26. Virgil – The Aeneid
  27. Plutarch – Essays
  28. Plutarch – On Sparta
  29. Marcus Aurelius – Meditations
  30. Seneca – Letters from a Stoic
  31. Epictetus – Discourses and Selected Writings
  32. Horace and Persius – Satires and Epistles
  33. Dante Alighieri – The Divine Comedy and Vita Nuova
  34. Saint Augustine – City of God
  35. Teresa of Ávila – The Interior Castle
  36. St. John of the Cross – The Dark Night of the Soul
  37. Goethe – Faust
  38. John Milton – Paradise Lost
  39. Friedrich Nietzsche – The Will to Power
  40. Friedrich Nietzsche – Human, All Too Human
  41. Friedrich Nietzsche – The Philosophy in the Tragic Age of the Greeks
  42. Friedrich Nietzsche – The Birth of Tragedy and The Case of Wagner
  43. Friedrich Nietzsche – The Gay Science
  44. Friedrich Nietzsche – Thus Spoke Zarathustra
  45. Friedrich Nietzsche – Beyond Good and Evil
  46. Friedrich Nietzsche – On the Genealogy of Morals and Ecce Homo
  47. Friedrich Nietzsche – Twilight of the Idols and The Anti-Christ
  48. Friedrich Nietzsche – On Truth and Untruth
  49. George Orwell – 1984
  50. Aldous Huxley – Brave New World
  51. Diogenes – The Dangerous Life and Ideas of Diogenes the Cynic
  52. Yukio Mishima – Sun and Steel
  53. Henri Cartier-Bresson – The Mind’s Eye: Writings on Photography and Photographers
  54. Søren Kierkegaard – Fear and Trembling
  55. Søren Kierkegaard – The Sickness Unto Death
  56. Śrī K. Pattabhi Jois – Aṣṭāṅga Yoga
  57. Daido Moriyama – How I Take Photographs
  58. Fyodor Dostoevsky – Notes from Underground
  59. Leo Tolstoy – The Kingdom of God Is Within You
  60. Saifedean Ammous – The Bitcoin Standard
  61. Saifedean Ammous – The Fiat Standard
  62. Saifedean Ammous – Principles of Economics
  63. Matthew Lysiak – Fiat Food
  64. Shawn Baker – The Carnivore Diet
  65. Shunryu Suzuki – Zen Mind, Beginner’s Mind
  66. Lucretius — The Nature of Things
  67. Plotinus – The Enneads
  68. Meister Eckhart – Selected Writings
  69. Pseudo-Dionysius the Areopagite – The Complete Works

Photo Books

  1. Eugene Atget – The World of Atget
  2. Walker Evans – American Photographs
  3. Walker Evans – Subways and Streets
  4. Henri Cartier-Bresson – Photographer
  5. Robert Frank – The Americans
  6. Ray K. Metzker – City Lux
  7. Ray Metzker – Monograph
  8. Ray Metzker – Sand Creatures
  9. Ray Metzker – Unknown Territory
  10. Ray Metzker – Light Lines
  11. Josef Koudelka – Gypsies
  12. Josef Koudelka – Exiles
  13. Helen Levitt – One, Two, Three, More
  14. Susan Meiselas – Nicaragua
  15. William Klein – Celebration
  16. Tod Papageorge – Passing Through Eden
  17. Bruce Davidson – Subway
  18. Bruce Gilden – Haiti
  19. Larry Towell – The Mennonites
  20. Frank Horvat – Side Walk
  21. Daido Moriyama: The Complete Works
  22. Daido Moriyama – Dear Mr. Niépce
  23. Daido Moriyama – Phaidon
  24. Daido Moriyama – Record
  25. Daido Moriyama – Record 2
  26. Daido Moriyama – Quartet
  27. Vivian Maier – Retrospective
  28. Jason Eskenazi – Wonderland
  29. Mark Cohen – Grim Street
  30. Mark Cohen – Frame
  31. Alex Webb – Istanbul, City of a Hundred Names
  32. Alex Webb – The Suffering of Light
  33. Alex Webb – La Calle
  34. Alex Webb – Brooklyn, The City Within
  35. Women Street Photographers
  36. Magnum Streetwise
  37. Reclaim the Street
  38. Harry Gruyaert – Between Worlds
  39. Raúl Cañibano – Absolut Cuba
  40. Sam Ferris – In Visible Light
  41. Daniel Arnold – Pickpocket
  42. Brian Karlsson – Book
  43. Gianni Berengo Gardin
  44. Trent Parke – Monument
  45. Public Ledger
  46. PROVOKE | Provocative Materials for Thought (The Full Archive)
  47. Shomei Tomatsu – Flowers of Vermilion Seaweed Okinawa Diary
  48. The Anger of the Sovereign People – Anpo Protest

Ricoh GR IV Monochrome vs GR III — Red Filter, Street Philosophy & A Wild Day in Philly

Ricoh GR IV Monochrome vs GR III — Red Filter, Street Philosophy & A Wild Day in Philly

Ricoh GR IV Monochrome vs GR III — Red Filter, Street PhilosophyDownload

What’s poppin’, people? It’s Dante.

The Monochrome Report is in. It has returned.

Red filter back. Activated.

Returned from the repair center just a day ago. Got to use it one time so far — so good. They reproduced the issue using the GR World app (which I don’t even use), so we’re just gonna move on and let this thing chug.

My GR III? Still running after hundreds of thousands of shots. Even the GR II still alive.

Back in Philly — Straight Into the Chaos

I came back to Philadelphia two days ago and immediately went to Kensington.

I hopped on the Market-Frankford Line, landed in North Philly — gritty, raw, real.

I believe in photographing everything.

Not just joy.

But pain. Suffering. Complexity. Humanity.

Life is not one-dimensional. Why should your photography be?

I ended up talking with people on the corner. Just being human. That led to portraits.

That’s the thing:

Photography is a byproduct of how you engage with life.

If you’re curious, playful, open — life gives you moments.

Life Is a Video Game

Life is a video game.

You’ve got unlimited respawns.

So why are you scared?

Go into the gray zones on the map. The places you’re unsure about.

That’s where the treasure is.

That’s where the photos are.

Stop playing safe. Go explore the map.

From Kensington to Center City

Same day:

  • Kensington streets
  • Greek parade
  • Graduation ceremony
  • Benjamin Franklin walking like a boss
  • Pigeons flying through Center City

When the pigeons flew?

I didn’t think.

I just moved and shot.

Photography is physical. Not intellectual.

With the Ricoh on a wrist strap, it becomes part of your body.

You move → you shoot.

The Portal, The Weirdness, The Day

Saw one of those portal screens — like a FaceTime to another city.

Felt surreal. Like a black mirror.

Then:

  • Block party
  • Dance energy
  • Mall models

I told two women:

“Is this a contest? Because you’re gonna win.”

They laughed.

Click.

That’s the photo.

Energy creates images. Not settings.

Chinatown — 50mm Crop Mode

Switched to 50mm crop.

Tap twice. Boom.

Now I’m isolating subjects. Removing noise.

My setup:

  • 50mm crop
  • Underexpose by 2 stops
  • Multi-segment metering

I used highlight-weighted for 3 years…

But multi-segment?

Way more fluid.

Less friction = more instinct.

GR IV Monochrome — First Impressions

Now we switch.

Same recipe:

  • High contrast
  • Maxed out
  • Small JPEGs

But…

There’s a difference.

More shadow detail. Better feel.

Snappier. Faster. Stronger.

The monochrome just hits different.

Street Skateboarding Mindset

I treat photography like street skating.

The city is a skatepark.

  • Curbs
  • Railings
  • Light
  • Shadows
  • Gestures

Everything is a spot.

You don’t go out saying:

“I’m only doing one trick.”

No.

You flow.

You adapt.

You play.

Photography is landing tricks on reality.

Red Filter = Superpower

The red filter?

Game changer.

Crushes skies. Deep contrast. Mystery.

And it’s built into the camera.

No accessories. No fluff.

Use the tool as-is. That’s the magic.

A1 — The Street Philosopher

Ran into my guy A1.

Street artist. Wild energy.

Before he saw me — I dropped and did push-ups.

We start talking Bible stories. Genesis. Isaac. Rebekah.

Then a girl shows up…

With a squirrel puppet.

Then a camel puppet.

Gives him water.

Everything aligned.

This is what happens when you’re open to life.

Evening — Schuylkill River Trail

Now we slow down.

Nature. Light. Sunset.

I walk this same path every day.

Same sculpture.

Every day, I shoot it.

Why?

Training instinct.

Like tutorial mode in a video game.

Composition Is Physical

I saw a man balancing on a railing at sunset.

At first — horizontal frame.

Too much empty space.

Then I adjusted.

Vertical.

Filled the frame.

Stayed in the scene until it ended.

Don’t leave the scene. Let the scene leave you.

Then I did it myself.

Climbed the rail.

Walked it.

Fell off.

Sent him the photo later.

Final Thoughts — Go Outside

I ended the day at the cliff. Watching the sunset.

And I realized:

Life is wide open.

There’s so much to see. So much to photograph.

When you’re inside — your soul fades.

When you’re outside — you come alive.

Be a human first. Photographer second.

The Philosophy

  • Stop thinking
  • Start doing
  • Follow instinct
  • Stay curious

Your next photo is your best photo.

Not the perfect one.

The next one.

Return to Day One

Wake up empty.

Forget what you know.

Go play.

Return to that childlike state.

That’s where the magic is.

Red filter on.

Go explore.

Peace.

Get Closer: The Secret to Better Photos with the Ricoh GR

Get Closer: The Secret to Better Photos with the Ricoh GR

What’s poppin’, people? It’s Dante.

Check out that beautiful photograph I just made of a leaf.

Today I’m thinking about photographing details, textures, and putting the Ricoh GR in close proximity to surfaces.

The Superpower of Getting Close

The superpower of the Ricoh is simple:

You can get extremely close.

There’s a macro feature—click up on the D-pad—and suddenly you unlock a whole new way of seeing.

Pair that with exposure compensation, underexpose for the highlights, and you start to create something different.

When you get close, the world opens up.

Light, Texture, and Wabi-Sabi

Right now I’m photographing a leaf.

A tear in the leaf. Imperfection. Texture.

That wabi-sabi aesthetic.

Underexpose the highlights, crush the shadows—and something beautiful happens.

It’s liberating.

Slow Down and Look

Most people walk past this path every day.

They’re not looking at:

  • Cobwebs
  • Leaves
  • Textures
  • Small details

We live fast lives.

But it’s a luxury to slow down.

And when you slow down, you start to see.

There’s Always Something to Shoot

Shoutout to Dimitri in Seattle from the Flux community.

Man’s out with his wife and kids, running errands, in a toy store—and still photographing.

Still finding things.

He got close to an advertisement and made something interesting out of it.

That’s the mindset.

Wherever you are—there’s something.

Frictionless Photography

This whole practice is about removing friction.

  • Ricoh GR
  • High contrast black and white
  • P mode
  • JPEG
  • Everything baked in

No decisions.

Just shoot.

When you get home?

Nothing to do except select and publish.

Build Your Archive

Go out every day.

Make a few frames.

That’s it.

Brick by brick.

Over time, you’ll build an archive.

And inside that archive?

There will be photos you’re proud of.

Don’t Worry About Location

Location doesn’t matter.

You can be anywhere:

  • City
  • Suburbs
  • Middle of nowhere

There’s always something.

You don’t need a perfect place—you need awareness.

Stop Trying to Impress

Don’t photograph for:

  • Trends
  • Other people
  • Validation

Photograph for yourself.

Only make photos you want to exist.

Cultivate Instinct

This is what it’s really about.

Instinct.

Remove the friction:

  • No thinking
  • No overanalyzing
  • Just shooting

Eventually, it becomes effortless.

You enter the flow state.

Photography as a Ritual

Photography isn’t just about the final image.

It’s a daily ritual.

A way of engaging with life.

A way of noticing.

A way of being present.

You exist outside the passage of time when you’re in it.

Enter the Stream

Photography is endless.

It’s a stream.

You don’t arrive—you just keep going.

  • Try macro
  • Shoot landscapes
  • Photograph people
  • Make self-portraits

Don’t limit yourself.

Final Thought

Play.

That’s it.

Stop taking it so seriously.

Go out there, get close, and see what happens.

The road is endless.

Just start today.

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