I Almost Quit Photography… This Is What Brought Me Back

I Almost Quit Photography… This Is What Brought Me Back

What’s poppin’, people? It’s Dante.

Today I want to share with you a story about how I almost quit photography… but now I treat photography as a way of being.


It Started With Curiosity

It started with curiosity.

Photographing in Baltimore while I was studying in university… going out there, exploring the world, engaging with humanity, and just following that first instinct.

I was photographing in West Baltimore—Sandtown-Winchester—and my hometown in Philadelphia. Just showing up over and over again.

And through that repetition, I got good.

I got to the point where I could force moments.


I Could Force Moments… But Something Felt Off

I could pretty much manifest any photograph I wanted.

Like this one—photographing a rainbow in a fountain. I knew I could make that happen. I had the ability to go out there, find something interesting, position myself correctly, and create a strong frame.

Technically, I had it figured out.

But something felt off.

I was getting better…
but it felt empty.


I Was Chasing “Interesting”

I realized I was chasing something.

I was chasing interesting.

I was out there on the front lines of life, pushing myself to find something visually striking. I was traveling, exploring, going deeper and deeper into more intense environments.

I found myself at the wall separating Israel and Palestine.

Photography became a way for me to prove something—to express courage, to go further, to get the shot.

And I kept going.


I Went As Far As I Could Go

I found myself in Jericho, photographing conflict.

I was literally putting myself in danger just to make photos.

Looking back, yeah—I’m proud of those images.

But I was also… kind of insane.

And the truth is:

You don’t need to go to a war zone to make something interesting.

But at the time, I thought I did.


I Went Deeper

Then I joined the Peace Corps.

I went to Zambia, lived in rural villages, learned the local language, and integrated fully into the environment.

I lived under a thatched roof for over a year.

Worked in fish farming.
Tended the land.
Photographed funerals.
Documented baptisms.

Life and death—everything.

I went as deep as I could go.


And It Still Wasn’t Enough

After Zambia, I kept pushing.

I went to Mumbai.
Walked the pipelines.
Chased more moments.

Then Mexico City—climbing mountains, searching for the next high.

And eventually…

I burned out.

I hit a point where I almost wanted to quit photography.

Because I was always looking for something more.

A better photo.
A more interesting moment.
A higher high.

And it was never enough.


The Shift

Everything changed when I slowed down.

I stopped chasing photos…

and I started living life.


Returning Home

I came back home to Philadelphia.

Started working in horticulture.

Spent over two years tending gardens, working with the land, being outside every day.

No pressure.
No expectations.
No chasing.

Just presence.

I even built my own Zen garden—cleared the space, designed it, created a place to just exist.

And during that time, something shifted.


Everyday Life Was Enough

I started documenting my actual life.

Photographing plants.
Trees.
Light.
Details.

Spending time in solitude.

Reading philosophy.
Thinking.
Walking.

And I realized:

I wasn’t chasing photography anymore.
I was just living.

And that was enough.


Relearning Photography

I approached photography like a beginner again.

A blank slate.

Like a kid with a camera.

Now I wake up every day with enthusiasm to shoot—not because I have to, but because I want to.

Now I never want to stop.


One Camera. No Friction.

My system became simple:

  • One camera
  • In my pocket
  • Automatic mode
  • JPEG only
  • No editing

No friction.

No setup.

No pressure.

Just shoot.


A Visual Diary

Now I treat photography as a visual diary.

I’m not looking for something interesting anymore.

I’ve realized:

What’s most interesting is what’s right in front of me.

Photos of my mother.
My brother.
Daily life.

Moments that actually matter.


13,000 Photos Later

Since making this shift, I’ve taken over 13,000 photos.

Stacked physically. Documented daily.

And I’ve never stopped.


Returning to Light

Photography, at its core, is about light.

“Phos” — light
“Graphé” — drawing

You’re drawing with light.

And what excites me now isn’t what I see…

It’s what I don’t see until I make the photo.

The surprise.

The imperfections.

The unpredictability.


Now I Can’t Stop

Now I just go out and shoot.

Every day.

No expectations.

No pressure.

Just curiosity.

I feel like I’ve been reborn as a photographer.

There are infinite possibilities now.

I’m not just photographing people—

I’m photographing everything.

Light. Shadows. Details. Life.


Creating My Own World

I recently went to Tokyo and realized something:

I don’t need anything “interesting.”

All I need is:

  • light
  • curiosity
  • presence

That’s it.

Now my goal is to create my own world through photography.

Not to document reality…

but to explore it.


The Way of Being

Photography is no longer something I do.

It’s something I am.

It’s integrated into my everyday life.

I don’t separate:

  • Dante the person
  • Dante the photographer

It’s the same thing.


Final Thought

I almost quit photography.

Now…

I never want to stop.

Because I stopped chasing photos…

and started living life.

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