Mythology and Passion

Mythology and Passion

Opening Thoughts

  • “I’m very skeptical of books…” – Sam Bankman-Fried.
  • Advocates brevity in writing, suggesting long-form content might not always be necessary.
  • Contrasted with the power of storytelling through fiction and myth.
  • “There’s nothing more powerful than a good story.”
  • Tyrion Lannister in Game of Thrones highlighted the unparalleled impact of storytelling.

Guest Speaker: Gregg Hurwitz

  • Renowned author of the Orphan X series, including The Nowhere Man.
  • Diverse portfolio: novels, screenplays, Marvel and DC comics.
  • Quote inspiration from Jules Verne: “About a meter” – a nod to prolific writing output.

The Origins of Storytelling

Childhood Influences

  • Limited TV exposure led to creative outlets:
  • Watching Hitchcock films and Red Sox games.
  • Immersed in reading and storytelling from an early age.
  • First stories: Mysteries illustrated with crayons, like Willy, Julie, and the Case of the Buried Treasure.

Key Observations:

  • Stories as a natural thought process.
  • The question: “What’s the worst or most exciting thing that can happen right now?”
  • Passion as the driving force:
  • Writers must pursue compelling interests.
  • Experience beyond academic mastery enriches storytelling.

The Evolutionary Necessity of Storytelling

Carl Jung and Myth

  • Storytelling as a tool to contend with the internal and external unknown.
  • Universal archetypes:
  • Hero’s journey (from Gilgamesh to Jesus Christ to The Terminator).
  • Foundational narrative structures help societies process fear and aspiration.

E. O. Wilson’s Hypothesis

  • Stories originate from the hunt:
  • Tracking, pursuit, and intellectual challenges mirror early human experiences.

Crafting Effective Stories

Key Principles:

  1. Leave room for the audience’s imagination:
  • Examples from Hurwitz’s work:
    • Scene ending at “Joints” invites the reader’s imagination.
    • Inspired by Jaws: unseen tension is more compelling.
  1. Flawed Characters:
  • Vulnerabilities create relatability and emotional depth.
  • Avoid creating “perfect” heroes (e.g., “He was the best of the best” – a cringeworthy mistake Hurwitz regrets).
  1. Internal and External Conflict:
  • Stories succeed when external plots mirror internal struggles.
  • Tragic flaws must precipitate consequences, rooted in character decisions.

Myth and Modern Storytelling

Archetypal Narratives

  • Hero confronts danger (dragon, unknown).
  • Rewards (self-knowledge, personal growth) emerge from overcoming fear.

Blending the Personal and Mythological

  • Purely personal stories lack structure; purely mythological tales lack relatability.
  • Writing is about finding a balance between grand archetypes and individual experience.

Writing Techniques and Advice

Overcoming Writer’s Block

  • Start with a “vomit draft” – perfection is the enemy of progress.
  • Rewriting is essential:
  • Hurwitz’s first novel underwent 16 drafts before publication.
  • Failure is integral to growth.

Research and Authenticity

  • Real-world details elevate fiction:
  • Example from Hannibal: Mist from dry ice during a stakeout adds realism and ambiance.

Inspirations and Influences

  • Shakespearean tragedies:
  • Highly structured, narrative-driven, relatable to genre fiction.
  • Dostoevsky and Poe:
  • Crime and psychological depth often share structural DNA with genre thrillers.

Key Takeaways

  • Storytelling is primal: A way for humans to process fear, hope, and complexity.
  • Flawed heroes are compelling: Humanity lies in vulnerability.
  • Detail matters: Authenticity builds immersive narratives.
  • Balance myth and personal truth: Root grand stories in individual experience.

Closing Insights

  • Writing demands embodying all characters, even the villains.
  • Empathy and perspective are critical tools for creating multidimensional narratives.
  • The Role of Chaos:
  • Writers must traverse chaos and order to craft impactful stories.
  • The process reflects personal growth and cultural contribution.

“You cannot master the art of storytelling; you can only strive for intimate familiarity with its form.”


Stay tuned for the next session, focusing on Mimesis!

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