The Duck Lady

In Philadelphia’s history, the “Duck Lady” was a well-known figure, particularly in the 1970s and 1980s. She was an elderly woman who frequented areas around Market Street and other parts of the city. Notably, she had a distinctive voice reminiscent of Donald Duck, which led to her nickname. She was often seen wearing a black dress and veil, and she had a habit of attending various funeral homes along South Broad Street, paying respects even to individuals she didn’t personally know. This routine made her a memorable character among locals. 

Additionally, the “Duck Lady” was known for her presence in the city’s subway stations, where she would often be heard making quacking sounds, a manifestation of what many believed to be Tourette’s Syndrome. Despite facing personal challenges, she left a lasting impression on the community. Efforts by individuals like Sister Mary Scullion aimed to assist her and others facing homelessness during that era. 

It’s worth noting that the “Duck Lady” is distinct from “Duck Girl,” a bronze sculpture by Paul Manship located in Rittenhouse Square. The sculpture, created in 1911, depicts a young girl holding a duck and has been part of Philadelphia’s public art collection since its installation. 

The “Duck Lady” remains a part of Philadelphia’s rich tapestry of local characters, remembered by many for her unique presence in the city’s history.

She was a guest at the Wanamaker building?

Yes, the “Duck Lady” was known to frequent the Wanamaker Building in Philadelphia. As part of her regular routine in the city, she was a well-recognized character in the department store, which at the time housed John Wanamaker’s famous department store and the grand Wanamaker Organ. She would often be seen wandering through the building, much like she visited other iconic spots in the city.

Her presence at the Wanamaker Building added to her local legend, as it was one of the key public spaces in Philadelphia where her eccentricities—such as her distinctive quacking sounds and unique attire—made her a memorable figure for those who encountered her. This location, combined with her visits to funeral homes and subway stations, helped cement her as a quintessential and beloved urban character of Philadelphia during the mid-to-late 20th century.