Statesman is a continuation of the metaphysical and political investigations begun in Sophist. The dialogue features the Eleatic Stranger once again, joined by Theaetetus and Young Socrates, with the elder Socrates notably absent. Instead of seeking the nature of sophistry, the Stranger now turns to define the true statesman—the ideal political ruler—and distinguish him from imitators.
In the process, Plato explores the nature of political knowledge, the dangers of rule by law alone, and the mythic origins of human governance. It is one of Plato’s most sophisticated dialogues on political theory.
1. The Method of Division (Again)
Like in Sophist, the Stranger continues using division to define roles by cutting concepts into their subtypes.
To find the true statesman, he eliminates other professions and arts:
All arts → Theoretical vs. Practical
Practical → Directive vs. Cooperative
Directive → Ruling over living beings
Ruling over humans → One ruler vs. many
True rule → Based on knowledge, not power or law
The statesman, then, is defined as:
The one who possesses the science of ruling and cares for the unity and order of the state, like a weaver threading together the social fabric.
2. The Myth of the Two Ages
To frame the nature of human governance, the Stranger tells a myth of two eras:
In the Age of Cronos, the world rotated in reverse and was ruled directly by gods, needing no human leadership.
In the present age, the cosmos was reversed, the gods withdrew, and humanity was left to govern itself.
This myth suggests:
Rule is now a human burden, a responsibility to imitate divine order in the absence of divine presence.
3. The Critique of Rule by Law
One of the most radical claims of the dialogue is its critique of rule by written law:
Laws are rigid and general, unable to respond to the infinite variability of life.
The ideal ruler—the true statesman—should rule by knowledge, not be bound by law.
However, since such rulers are rare, laws become necessary second-best tools to prevent chaos.
Plato, through the Stranger, suggests:
Law is like a stubborn doctor giving the same prescription to every patient—it cannot replace the art of the truly knowledgeable ruler.
4. The Statesman as a Weaver of Social Order
The statesman is compared to a weaver:
Society is made up of different natures—bold vs. moderate, active vs. contemplative.
The statesman weaves these temperaments into a harmonious whole, combining courage and moderation like warp and weft.
This metaphor emphasizes:
Politics is an art of integration—not domination. The ruler harmonizes conflicting elements into a unified political fabric.
Key Philosophical Themes
Political Knowledge vs. Power
True authority lies not in force or popularity but in understanding the good of the whole.
Critique of Democracy and Tyranny
Both are flawed imitations when not guided by reasoned knowledge.
Law as a Second-Best
Law is a tool, not an ideal. The highest form of governance is personalized, rational rule.
The Role of Myth
Myths are used to bridge gaps in reason, helping the audience grasp metaphysical or moral truths.
Wisdom and Takeaways
The true statesman is rare—he rules not by law or force but by wisdom and discernment.
Society requires the careful balance of opposites, guided by someone who understands human nature.
Law, while useful, is not divine; it must be guided by higher rational insight.
Plato envisions politics as a delicate, thoughtful art—not a contest of wills.
Conclusion
Statesman marks a movement in Plato’s thought toward more nuanced political theory. Unlike Republic, which emphasizes ideal forms of government, Statesman grapples with the practical limitations of political life—laws, myths, and imperfect human rulers. The dialogue invites reflection on what leadership truly means: not command, but care; not control, but craftsmanship.
What’s poppin, people? It’s Dante. Currently walking around Philadelphia today, photographing with the Ricoh GR IIIx — high contrast, black and white, small JPEG files.
I’ve been on this black and white game for two and a half years straight, and it’s completely transforming how I view the world, let alone the way I photograph.
Drawing with Light
So essentially what this is doing for me — by returning to light and shadow and photographing in high contrast black and white — is I’m returning, I believe, to the essence of the medium of photography.
Photography: “phos” meaning light, “grafia” meaning writing or drawing.
I’m drawing with light. Treating the world as the canvas. Everything is photographable.
This is an abundant mindset I adopt now. When you’re on the street, you want to enter a flow state — constantly creating new photographs, not overanalyzing or thinking too much.
Light Is Information
When I look at light, I remind myself that light is information.
I shoot in highlight-weighted metering mode. I expose for the light. I reveal the information in the light. I crush the shadows. I leave out the superfluous details.
“Light is my medium. Light is my subject.”
This mindset transforms how I walk, how I observe — how I live. I see light glimmering, bouncing off surfaces, cutting across people’s faces, casting long, dramatic shadows. Everything becomes beautiful again.
Foreground, Background, and Flow
I tried getting a photo of a guy just now — he liked my shoes — but the background was too sloppy. The shadows swallowed him. Sometimes, you just can’t separate the subject from the chaos.
But when you find that clean backdrop — when light and shadow work with you — that’s when you get a powerful frame.
What I like to do:
Find choke points.
Watch people enter and exit the frame.
Let the background and light do the heavy lifting.
Press the shutter when instinct hits.
“It’s all about your physical body in relationship to life itself.”
This is street photography to me. A visual game. It’s about geometry, form, and intuition.
Master the Visual Game, Then Break It
Photography is visual. You have to understand:
Light
Shadow
Form
Timing
Human behavior
Once you understand the foundation, then break it.
“I’m not out here hunting for my next best photo. I just know my next photo will be my best photo.”
Photography is this endless stream of becoming.
The Spirit of Play
By following curiosity, by keeping that childlike wonder, you unlock the flow state. That’s the goal.
“Forget everything you think you know. Let go. Let the chips fall where they may.”
I’ve hit my plateau before — making technically good photos. Now I’m after something else. I just want to let go and spontaneously create.
Macro Play and Crop Mode
Lately, I’ve been using the macro mode on my Ricoh GR IIIx. I get up close to mundane things — locks on dumpsters, textures on the wall. I underexpose. I crop in-camera.
71mm crop mode is clutch.
High contrast baked-in.
What I see is what I get.
Or rather:
“What I get is what I didn’t see.”
I’m surprising myself again. Letting the camera show me things I didn’t plan.
Photography Has Nothing to Do with Photography
“Photography has nothing to do with photography. It has everything to do with how you engage with humanity.”
What you get in the photo is a reflection of how you live. Your interactions. Your presence. Your soul.
The street reflects it back to you.
Gravity-Bound
Another thought I had:
“The best photos remind us that we’re bound by gravity.”
We’re flesh creatures. We bleed, we lust, we grieve, we rejoice. We build skyscrapers, but we are not gods.
We are mortal. And photography — when done right — reminds us of that.
Today, we’re going to be discussing street photography inspiration. I’ll be sharing what inspires me, and hopefully, you’ll walk away with a better understanding of what fuels your creativity and how you can cultivate inspiration to get out there and shoot.
Inspiration is Everywhere
Inspiration is everywhere—you just need to know where to look.
Nature as Inspiration
I find immense inspiration in nature.
When I’m walking alone on a nature path, I feel infinitely inspired by the novelty of God’s creations. If you really look—at the veins of a leaf, the texture of tree bark—you start to see the details on a macro level.
Nature reminds me of how vast the world is, how expansive the cosmos are, and how deeply we’re connected to everything.
After a decade of street photography, I still wake up excited to shoot. Why? Because every day, I set myself up with an abundance mindset. I’m simply grateful to be able to make new photos each day.
Finding Inspiration in the Streets
The street is like a theater. If you look at it as a stage, everything becomes beautiful.
Think about it:
A person holding an umbrella, watching a parade in the rain.
A lone figure walking through a foggy alley.
The interplay of reflections in a shop window.
These moments become cinematic. The street is alive with patterns, movement, and fleeting moments, all waiting to be captured.
Sit on a park bench and watch life unfold—this alone is enough to keep you inspired.
Photo Books: Learning from the Masters
A simple way to stay inspired? Study photo books.
I personally find infinite inspiration in my collection. They allow me to:
Study the masters of photography.
Understand composition, light, and timing.
Develop my own style.
My favorite photo book? The Mennonites by Larry Towell. Traditional black-and-white documentary work, beautifully composed and deeply immersive.
The power of a photo book is that it transports you to another world and inspires you to tell your own stories.
Lately, I’ve been looking at:
Monument by Trent Parke
Record 2 by Daido Moriyama
I love black-and-white photography, and these books push me further in that direction. I keep them around as aesthetic objects, as reminders to keep shooting.
Beyond Photography: Inspiration in Art
Photography isn’t the only source of inspiration. I look beyond it.
Caravaggio & High Contrast
One of my biggest inspirations? Caravaggio.
His use of chiaroscuro, that dramatic high-contrast lighting, directly influences my photography. Seeing his paintings in Rome was breathtaking.
The way Caravaggio used light and shadow is something I seek in my own work.
Ray K. Metzger’s High-Contrast Street Photography
Take a look at Ray K. Metzger’s photograph of a sailor in City Hall. It’s a masterclass in:
High contrast
Light and shadow play
Evoking the sublime
This is the kind of photography that transcends reality—that shows not just what life is, but what it could be.
Alex Webb’s Color & Complexity
Then there’s Alex Webb. His image from León, Mexico, 1987—the one with the child peeking from a box—is a perfect example of:
Striking colors
Beautiful light and shadow
Heat, mystery, and movement
I love how he captures complexity within a single frame.
Walking: The Simplest Source of Inspiration
Walking stimulates observation. Movement fuels creativity.
When I’m in Rome, standing on the Spanish Steps, I feel the energy of the city flowing around me. When I’m in Philadelphia, walking along the Schuylkill River, I feel at peace.
The Philosophy of Walking
One of my favorite things? Walking along a single path—one that stretches for miles.
On some trails, you only have two choices: forward or backward. No distractions, no left or right turns—just the road ahead.
This simplifies my mind. It puts me in motion, and movement leads to inspiration.
The Chaos of the City
Nature inspires me, but so does the raw energy of the streets.
The tunnels under City Hall—the way light and shadow interact.
The traffic, the honking, the chatter.
People moving, their rhythms, their interactions.
There’s something visceral about it. The city is alive, and I find inspiration in both its chaos and its order.
Inspiration = “Breath of Life”
Let’s go deep for a second.
The word inspiration comes from the Latin inspirare, meaning “to breathe into.”
Originally, it meant divine influence—the breath of God.
To be inspired is to have life breathed into you.
And nothing embodies this for me more than the Wanamaker Organ in Philadelphia.
For two years straight, I listened to this massive pipe organ every day at 5:30 PM. Standing in the Wanamaker Building, surrounded by:
Towering architecture
A giant bronze eagle sculpture
The world’s largest playing pipe organ
It was a spiritual experience.
Architecture, sculpture, and music—when they come together, they elevate the soul.
Sadly, the Wanamaker Building is closing, but its impact on me remains.
Simplicity & Discipline
To stay inspired, set creative constraints:
Stick to one camera.
Stick to one lens.
Choose color or black & white—and commit to it.
Eliminating unnecessary decisions forces you to focus and cultivate curiosity.
Photography should be a meditative practice—wandering with fresh eyes every day, ready to see something new.
Photography is Endless
You cannot make the same photograph twice.
This thought endlessly inspires me.
Seriously, I could rant for an hour about how photography is infinite. There’s always something new to capture, something new to see.
So my advice?
Embrace the unknown. Let inspiration find you.
Go outside.
Move your feet.
Observe.
The street is waiting for you.
Final Thoughts
To sum it up:
Nature: Walk in solitude, listen to the birds, embrace the quiet.
The Streets: Sit on a bench, watch life pass, soak in the sounds.
What’s poppin people? It’s Dante. Going for my morning walk here in Fairmount Park, Philadelphia.
Welcome to the Horticulture Center. Got some new shoes — the Vivo Barefoot — so I can have a good work shoe and still maintain that barefoot lifestyle.
On Inspiration
Today I’m thinking about inspiration. Where I find it. How I find it. What it means to me. And why it matters.
Ultimately, I find inspiration everywhere around me.
In the details of the sticks and the trees
In the breeze that touches my skin
In that first fresh breath of air when I walk outside in nature
When you look at the word inspiration, inspirare, it means “to breathe into.” There’s this divine essence in the word that’s actually quite intriguing — where God breathes life into you as a being, as someone capable of creating.
“We too are the ultimate creators.”
Curiosity Over Motivation
You know, I think inspiration isn’t some external force pushing me. It’s an innate quality that comes from cultivating curiosity.
“It has nothing to do with some sort of external force. It’s about engaging with the multifaceted complexities of life.”
The sights, the sounds, the smells — all of your surroundings in the real world.
Nature is my ultimate source of inspiration. Because nature is in flux. Constantly changing.
Each day
Each season
Each second
Minute
Millisecond
There’s always something new. Something transforming. And that’s invigorating.
“There’s never going to be the same day twice.”
The Body and the Breath
Even our bodies reflect this change. Through fasting, autophagy, deep sleep, good meat — you literally become new. Cells regenerate. The body renews itself.
Motivation comes from movere — to move. It’s external. Physical. You feel it when lifting weights or walking.
Inspiration, though… That comes through you. It’s internal. Spiritual.
“Inspiration is something you can’t really perceive or describe. It comes from inside.”
The Wanamaker Organ
For two years, I listened to the Wanamaker Organ in Philadelphia.
Every day. 5:30 PM. Without fail.
I’d stand in the center of the building — high ceiling, surrounded by grand architecture, right in front of a bronze eagle sculpture. And I’d listen to the largest playing organ in the world.
“Music, sculpture, architecture — the trifecta of art.”
That’s what inspired me. The divine energy that filled that space. A space to transcend.
Rome, Caravaggio, and Chiaroscuro
I also found inspiration in Rome in 2023. I spent two months praying in churches, staring at Caravaggio’s paintings.
The light, the darkness, the biblical scenes… There’s something otherworldly in his use of chiaroscuro. Something that goes beyond beauty.
“There’s something sublime in Caravaggio’s paintings.”
Beauty surrounds us:
In the churches
In the paintings
In birds in flight
In Goethe’s sculpture
In the philosophers who shaped civilization
It’s all fuel for the soul.
Photo Books and Traveling Minds
Don’t get me wrong — a photo book can inspire you too. The best one I own? Larry Towell’s book on the Mennonites. It places you in another world. A whole new narrative.
A photo book might:
Inspire you
Motivate you
Encourage you to go outside
Travel
Move
But you don’t need to hop on a plane. You can travel within your mind. Or just walk your own neighborhood with fresh eyes.
“Contemplation is travel.”
Try standing on a rooftop. Cross a bridge. Go to the highest point in your city. Change your perspective — physically and mentally.
Elevation and the Horizon
I like to stand at an elevated perspective.
Looking over the river. Crossing the Benjamin Franklin Bridge. Peering toward the horizon.
“I remind myself how open the world is — how much there is to do, to see, to explore, and to photograph.”
Nature trail or city chaos — it doesn’t matter.
Wherever I go, I find inspiration.
Caravaggio → Metzker → Webb → Me
Coming back to Caravaggio, I’ve been trying to bring that high-contrast light and shadow into my own photography.
That’s why I’ve been looking at Ray K. Metzker — a black-and-white photographer in Philadelphia. His work is otherworldly. Just on the aesthetic level alone.
“Some of the works that he’s made are just… beautiful in their innate quality.”
Alex Webb, one of my biggest inspirations, was inspired by Metzker. And I was inspired by Webb. So now I’m looking deeper — tracing the thread back to the source.
Webb → Metzker → Caravaggio → Light and Shadow → Church → Prayer → Music → Nature.
“I’m back at the source. The tree. The tree of life. What gives me breath.”
Full Circle
Without the trees, Without the breeze, Without the stillness of nature…
Maybe I wouldn’t even have the ability to create at all.
Maybe returning to nature is returning to the ultimate source of creation.
“Nature is my ultimate source of inspiration.”
Final Thoughts
So yeah, maybe some of these thoughts make sense to you. Maybe not. That’s cool too.
Just wanted to share what inspires me. How I cultivate inspiration in my everyday life. How I keep going.
Because inspiration, for me, comes from the walk.
And so I shall photograph it.
Beautiful pinecones. Just listen. Too much chatter in the city. Just listen.
What’s poppin, people? It’s Dante. Today, we’re diving into the street photography mindset—a guide to how I approach the world with openness, curiosity, courage, and a life-affirming perspective that pushes me to continuously make new photographs.
Why We Practice Street Photography
Life is on the streets. The world is open—so much to see, explore, and photograph.
For me, street photography provides meaning—I can step outside each day and experience the adventure of a lifetime. All you have to do is open your door, embrace curiosity, and let the streets guide you.
“I practice street photography simply because it fuels my lust for life.”
When you ask yourself why, you dive deeper into your approach to the world. For me, it’s about cultivating curiosity and joy. At its core, street photography affirms life. Every time I click the shutter, I’m saying yes to existence. Every image becomes a part of my visual diary—a reflection of my life’s journey.
Photography Is Not About Photography
Photography has nothing to do with photography.
Sure, there’s the visual game—composition, timing, light. But the essence of photography? It’s about how you engage with humanity—how you experience reality on the front lines of life.
Your mindset, your engagement with the world—that’s what shapes your images. More than settings, more than gear, it’s about how you see and interact with life itself.
The First Step: Forget Everything You Know
The biggest challenge? Letting go of preconceived notions.
We live in an age where we think we’ve seen it all. Our phones tell us everything we think we need to know. But when you walk out the door, forget all of it.
Follow the light. Don’t chase subjects. Don’t look for characters. Just walk—observe how light falls on surfaces, how it interacts with people, places, and objects. Let life deliver photographs to you.
“Making the photograph is merely a secondary byproduct of going out there, walking, seeing, and exploring life.”
I treat myself like a flâneur—a tourist in my own city. I don’t go looking for great photographs. I allow them to come to me.
Courage & Embracing Chaos
Street photography requires courage.
The best photographs often demand risk—you have to embrace chaos. The street is unpredictable, and the more you let go of control, the more the city reveals itself.
Patterns exist in nature and human behavior—how people move, gesture, and interact. Your job is to recognize these patterns, to make sense of the chaos, to articulate the unknown.
“Imperfection is perfection.”
The best moments? The ones that are a little wonky, a little off. Don’t be afraid to take bad photos. Take more bad photos. The more you shoot, the more you learn, the better you become. Photography is flux—constant change, evolution.
You Cannot Make The Same Photograph Twice
There are infinite ways to see the world.
Many photographers think everything’s been done, that the streets are boring. But when you adopt the mindset that you cannot make the same photograph twice, the world becomes your canvas.
Let go. Let life flow towards you. Be prepared with your camera.
The Power of Intuition
One of my favorite images? Two Palestinian men greeting each other outside a mosque in Jericho—kissing, smoking, drinking coffee.
I didn’t hunt for the shot. I entered the mosque, prayed, stepped outside, sat among them. The moment was delivered to me.
“When a moment comes, one must be prepared to press the shutter. That comes from gut instinct, not intellect.”
The best shots aren’t calculated. They happen. Be present. Be ready. Trust your gut.
The Mantra: My Next Photograph Is My Best Photograph
I’ve shot every single day for over a decade—never missed a day. No excuses. Why?
Because I tell myself:
“My next photograph is my best photograph.”
Failure is inevitable. You won’t always capture the perfect moment. But with a positive, affirming mindset, you increase your ability to be lucky.
Patience and awareness are critical. Boredom is essential. Walk through the city, feeling like you’re not seeing anything? Good. It forces you to slow down, to observe deeper, to chip away at life.
Success = Failure Embraced
Success in street photography?
It’s not about coming home with a perfect photograph. It’s about showing up. About walking. About failing over and over again, and continuing anyway.
“Street photography is a diary of my day. Failures are just notes in the margins.”
Missed the shot? Keep moving. Learn. Adapt. Transform.
Fall In Love With Life
Want to be a better photographer? Fall in love with life.
The more you love life, the more you’ll walk. The more you walk, the more you see. The more you see, the more you photograph.
Photography affirms life. It helps me fall in love with life again—every single day.
“Photography is my lifeline. It provides meaning and purpose.”
Play, Move, Breathe
Forget the serious approach. Photography should be play.
Be a kid with a camera. Wander. Explore. Lose yourself. Move.
“Motivation derives from movere—to move.”
The will to photograph = the will to life.
Photography as a Superpower
Street photography is a universal language. It has allowed me to connect with people, despite language barriers, across different cultures. It’s a tool for understanding the world on a deeper level.
And at the core? Gratitude fuels creativity.
Each day is a gift. Each day is a miniature birth. I assume I will die in my sleep, so when I wake, I am reborn. That mindset pushes me to photograph, to explore, to live with intensity.
You Can’t Live Forever, But You Can Make a Photograph
At the end of the day, photography allows us to live on.
“You can’t live forever, but at least you can make a photograph.”
This medium gives us a voice. It allows us to write with light, to uplift humanity. More than a visual game, it’s a way to affirm life itself.
Photography has nothing to do with photography. It has everything to do with how you engage with humanity on the front lines of life.
Now, go out there, press the shutter, and say yes to life.
In his article “Why You Should Use an Instax Camera,” Dante Sisofo shares his perspective on the role of photography and the unique advantages of using Instax cameras:Dante Sisofo
“To me, photography is an invitation, a way to see the world and share that gift with others. And Instax cameras make sharing immediate, tangible, and memorable.” Dante Sisofo
He further elaborates on how Instax cameras facilitate genuine connections:
“When I travel, I carry it everywhere, using it as a social tool. When photographing a scene, I can give prints to people right on the spot.” Dante Sisofo
Sisofo also reflects on the broader significance of photography:
“I see the camera as a key to experiences that lie beyond everyday reach.” Dante Sisofo
These insights highlight Sisofo’s belief in the power of instant photography to create immediate, tangible connections and enrich the photographic experience.
Dante Sisofo, a street photographer, has shared his experiences and insights regarding the Ricoh GR series cameras.Here are some of his notable quotes:Dante Sisofo+1Dante Sisofo+1
“I sold all my Fujifilm gear and bought two Ricoh cameras: the GR III and GR IIIx. I’d used the Ricoh GR II back in 2015, so it felt familiar. This shift marked a fresh start, and with it, I also transitioned to black-and-white photography.” Dante Sisofo+1Dante Sisofo+1
“I’ve been a street photographer for a decade, and what I love most about the Ricoh GR III is how effortlessly it fits into my life. The camera is compact enough to slide into your pocket, rest on a wrist strap, or disappear in your hand.” Dante Sisofo+1Dante Sisofo+1
“The Ricoh GR III lets you photograph life as it happens—candid, raw, and spontaneous. The compact size isn’t just convenient; it changes how you approach photography.” Dante Sisofo
“Photography with the Ricoh GR III is simple. You don’t need to be a pro, you don’t need to think too much—you just need to shoot.” Dante Sisofo+1Dante Sisofo+1
“The benefit of using a Ricoh is that it can always be with you. Whether I am walking in the streets, riding my bike, or doing errands, I always have an opportunity to make a photograph.” Dante Sisofo+1Dante Sisofo+1
For a more in-depth perspective, you might find his video “How the Ricoh GR Brings Joy Back to Street Photography” insightful.YouTube
Here are some of Dante Sisofo’s notable quotes on street photography:
“The first step to practicing street photography is to forget everything you think you know. When you set your body in motion, without preconceived notions of what you will find, you will always be surprised.” Dante Sisofo+1Dante Sisofo+1
“As a street photographer, you should forget everything you think you know and let life flow towards you… For this is how I view the world, as a playground, and I am just a big kid, with a camera.” Dante Sisofo+1Dante Sisofo+1
“A photograph is drawing with light, an instant sketch of life. Photography is a universal language, something that transcends language barriers, and is readable to all people.” Dante Sisofo+1Dante Sisofo+1
“A street photographer must possess intuition. For when you are on the streets, life unfolds spontaneously with entropy and randomness.” Dante Sisofo+1Dante Sisofo+1
“The camera is an excuse to see the world. The camera is a passport, or a key, that unlocks the doors to the multifaceted complexities and experiences in life.” Dante Sisofo+1Dante Sisofo+1
“The candid nature of street photography is what makes this art form so enticing, but difficult. You must practice every day with repetition. You learn to embrace failure, and enjoy it.” Dante Sisofo+1Dante Sisofo+1
“The camera allows me to exist in the present moment, right here, right now. Maybe you can’t live forever, but you can make a photograph.” Dante Sisofo+1Dante Sisofo+1
“There is no endgame to street photography, no external goal worth striving towards… The ultimate goal is to increase your curiosity each and every day.” Dante Sisofo
“Street photography is an artistic approach to the medium. It is to extract and abstract reality. Recognize the connection between your mind, body, and soul.” Dante Sisofo
“A photograph is a reflection of your courage. A photographer is responsible for positioning themselves on the front lines of life.” Dante Sisofo
“Your next picture is your best picture. Street photography is an endless stream of becoming.” Dante Sisofo
“The more you walk, the more you see. The more you see, the more you photograph. The more you photograph, the more successful you will be with your photography.” Dante Sisofo
“See the world as a child would. A child is forever curious about everything around them. This is where we want to be.” Dante Sisofo
“Put courage and curiosity at the forefront and become a playful monster. You should embrace the spirit of play and remain naive, but don’t let anybody mess with you.” Dante Sisofo
“A photograph is a self-portrait of a photographer. The photographs I make are just as much about the world around me as they are about myself.” Dante Sisofo
“The camera becomes a superpower. It allows you to give meaning to the mundane, creating something from nothing.” Dante Sisofo
“Street photography requires patience. It will take you around 10 years of practice to understand what you’re really doing.” Dante Sisofo
“The goal of practicing street photography is to increase your lust for life, and keep it insatiable. Street photography is an endless stream of becoming.” Dante Sisofo
“Let life flow towards you and don’t rush around. Walk 50% slower than everyone else on the street.” Dante Sisofo
“Don’t worry about impressing other photographers with your photography. Maybe it’s better if non-photographers enjoy your work.” Dante Sisofo
“The world is your canvas and the street is a stage. Everything is photographable. Don’t limit yourself.” Dante Sisofo
“A photographer exists outside the passage of time.” Dante Sisofo
“You learn to embrace failure and enjoy it. There is no such thing as good or bad photographs, but only new photographs to make.” Dante Sisofo+1Dante Sisofo+1
“Strong photographer, strong photographs. Weightlifting is practical for street photographers because it increases your confidence, courage, and ability to hit the streets for long periods of time.” Dante Sisofo
“Don’t watch YouTube videos. There’s not a single channel that will help you improve. Just go out and shoot.”
It’s Dante. Today, I’m giving you the ultimate Ricoh GR street photography tutorial. I’m breaking down:
My camera settings
My workflow
Behind-the-scenes video of my technique
How I work the scene and compose my shots
By the end, you’ll have a deeper understanding of how to use the Ricoh GR to its maximum potential and create better photographs.
Why the Ricoh GR?
“The closest thing to not having a camera is the Ricoh. The closest thing to not existing is practicing street photography.”
Shooting with a compact, discreet camera like the Ricoh GR means the camera becomes an extension of your eye and hand. You’re not an obvious photographer with a big DSLR around your neck. Instead, you’re a tourist in your hometown, a bystander of life.
I always wonder: What would Eugene Atget have done with a Ricoh? Imagine him roaming 19th-century Paris with a 28mm compact digital camera instead of a wooden bellows camera and 18×24 glass plates.
The Philosophy: A Tool for Intuition
“Photography has nothing to do with photography—it has everything to do with how you engage with humanity.”
The Ricoh eliminates decision fatigue:
No viewfinder → Forces you to compose through the LCD screen
Fixed lens → No need to choose a focal length
Small and discreet → People don’t notice it as much
Embracing the Snapshot Approach
No more “putting on your photographer hat.” Just go out and live—bring the camera along for the ride.
You don’t need to “get in the zone”—you’re already there.
This camera allows pure intuition, so you can react fluidly and seamlessly to life as it unfolds.
Dante believes the act of walking is central to street photography. It’s a form of meditation. You must train your eyes to see — not just look. Be present. Tune into the rhythm of the street and let your instincts guide you.
2. Think Like a Hunter
Dante compares the mindset of a street photographer to that of a hunter:
Stay alert.
Anticipate movement.
Trust your gut.
The decisive moment doesn’t wait — you must feel it coming and strike without hesitation.
3. Embrace the Chaos
The city is unpredictable. Dante finds beauty in this tension between the order of the grid and the chaos of humanity. Instead of resisting, lean into the spontaneity. That’s where magic happens.
4. Be Bold, Be Respectful
“Courage is essential, but so is compassion.”
Dante encourages photographers to get close, to capture intimacy — but never at the cost of someone’s dignity. Navigate ethics with heart. Each subject is a soul, not just a shot.
5. Use Small, Simple Tools
Dante uses the Ricoh GR III. Why?
Pocketable.
Silent.
Always with him.
It becomes an extension of the eye — fast, fluid, invisible. You don’t need bulky gear. Simplicity empowers freedom.
6. Delete Instagram, Own Your Platform
Social media molds vision. Dante urges photographers to build their own websites, curate independently, and resist trends. Make timeless work, not algorithm bait.
7. Minimal Workflow, Maximum Output
Shoot small JPEGs. No edits. Archive fast. Share faster. Spend time seeing, not editing.
8. Layer Deeply
Dante teaches layering techniques to create complexity in a frame:
Foreground, middle ground, background.
Use light and shadow.
Let geometry emerge naturally.
9. Stay Inspired Through Life
“The best photos come when you’re living a full life.”
Read philosophy. Travel. Love. Lift weights. Fast. Pray. Let life shape your vision, not the other way around.
10. Never Stop Learning
Even after a decade of shooting, Dante remains an amateur by choice — in love with the craft, hungry for truth. Photography is a lifelong journey of becoming.
Plato’s Sophist is a dense and profound dialogue that explores metaphysics, language, and the nature of sophistry itself. Featuring a conversation between a nameless Eleatic Stranger, Theaetetus, and Socrates (who plays a minimal role), the dialogue shifts from epistemology to ontology.
Its central focus is to define what a sophist truly is—and in doing so, the dialogue tackles one of philosophy’s oldest and most perplexing problems: How can we speak or think about what is not?
This study guide outlines the key arguments and philosophical breakthroughs of Sophist, offering insights into Plato’s evolving metaphysical thought.
1. The Method of Division
The Eleatic Stranger introduces a method of defining things by division—breaking down a concept by tracing its genus and species.
Defining the Sophist Through Division
The sophist is examined by cutting through categories like:
Arts → Productive vs. acquisitive
Acquisitive → Hunting → Hunting humans
Hunting humans → Through persuasion → Paid teaching
Ultimately, the sophist is defined as:
A paid hunter of young souls who uses deceptive language and appearance to seem wise without actually possessing truth.
2. The Puzzle of False Statements
The Stranger raises a paradox: If the sophist uses lies and illusions, how is falsehood possible at all?
The Problem
If someone says “X is not,” they seem to be talking about what is not.
But talking about “what is not” implies that “what is not” somehow is.
This contradiction threatens all falsehood: If we can’t speak of what isn’t, how can we lie, pretend, or be mistaken?
3. The Ontology of Non-Being
To solve this, Plato redefines non-being not as absolute nothingness, but as difference.
“That which is not” simply means “that which is different.”
Key Insight
Non-being exists in a certain sense: as difference from what is.
Therefore, saying “A is not B” makes perfect sense. A differs from B—it is not B.
This subtle move opens the door for understanding:
False statements
Imitations
Images
Sophistry itself
4. The Interweaving of the Forms
The dialogue also introduces an early form of Plato’s theory of interrelating Forms:
Not all Forms mix, but some interweave.
Key Forms like Being, Sameness, Difference, Motion, and Rest are analyzed in terms of their relations.
This is one of Plato’s most metaphysically rich moments, exploring the structure of reality itself.
5. The Sophist as a Deceiver of Appearances
The sophist ultimately is defined as:
A practitioner of an art that imitates wisdom, using deceptive appearances, without true knowledge.
By solving the problem of non-being and falsehood, the dialogue exposes the sophist’s method: to mimic truth while producing illusions.
This has implications not just for rhetoric or education, but for any realm where imitation replaces reality.
Key Philosophical Themes
1. The Nature of Being and Non-Being
What does it mean for something “to be”?
Is non-being simply the opposite of being, or is it a kind of difference?
2. Language and Falsehood
How can we speak about things that are not?
What makes a statement false, and how is error possible?
3. Imitation vs. Reality
The sophist imitates wisdom without possessing it.
What separates a genuine knower from a clever imitator?
4. The Interrelation of Forms
Some Forms combine, some oppose.
Understanding reality involves mapping how the fundamental categories relate.
Wisdom and Takeaways
Falsehood is possible because non-being exists as difference, not as nothingness.
Sophistry is dangerous because it mimics wisdom and disguises ignorance.
Philosophy must uncover the structure of being to defeat deception.
Not all knowledge is equal—some “arts” only produce appearances, not truth.
Conclusion
Sophist is a metaphysical turning point in Plato’s thought. It moves beyond Socratic questioning to systematic analysis of being, non-being, and the nature of language. By defining the sophist, Plato confronts the challenge of falsehood and reveals that philosophy must not only love truth—it must guard against illusion.
Plato’s Theaetetus is a foundational dialogue on epistemology—the study of knowledge. Through a discussion between Socrates, the young mathematician Theaetetus, and Theodorus, the dialogue examines what it means to know something.
Rather than arriving at a firm definition, the dialogue functions as a philosophical investigation into false belief, perception, and the limits of human understanding.
This study guide outlines the key arguments in Theaetetus and explores Plato’s early approach to the question: What is knowledge?
1. The Three Definitions of Knowledge
Theaetetus offers three definitions of knowledge, each tested and ultimately refuted by Socrates.
A. Knowledge is Perception
“Man is the measure of all things.” —Protagoras
This idea, drawn from Protagoras, suggests that what each person perceives is true for them.
Socrates explores relativism: If perception is knowledge, then everyone is right in their own view.
Consequence: No objective truth exists.
Critique: Perception can be deceptive (e.g. dreams, illusions, illness), so it cannot be a reliable foundation for knowledge.
B. Knowledge is True Judgment
Socrates next questions whether true belief equals knowledge.
Example: A jury may reach the correct verdict, but if they do so without understanding, is it really knowledge?
Verdict: True judgment without explanation is still unstable and open to error.
C. Knowledge is True Judgment with an Account (Logos)
This final definition attempts to combine belief and reasoning:
To know is to have a true belief and be able to explain why.
Socrates tests this with analogies (e.g., knowing someone by description vs. recognizing them).
Problem: What counts as an “account”? Does naming or listing qualities suffice?
This approach fails to fully define knowledge and collapses under scrutiny.
2. Socratic Midwifery: Philosophy as Birth
Socrates describes his role in the dialogue using the metaphor of a midwife:
He does not “give birth” to knowledge, but helps others bring forth their ideas.
His goal is not to teach, but to test and refine thought through questioning.
Theaetetus is praised for his willingness to struggle and search—hallmarks of philosophical maturity.
3. The Problem of False Belief
Socrates explores whether one can truly hold a false belief:
Is error a result of misidentification, like confusing one person for another?
Plato introduces the “wax block” and “aviary” metaphors to explain memory and understanding:
Wax block: Impressions are stamped onto the soul like a seal—errors occur if impressions are faint or confused.
Aviary: Knowledge is like birds flying in the soul’s aviary; to know something is to “grab” the right bird.
Each model attempts to explain how people can mistake, forget, or misjudge, but none fully resolves the issue of false belief.
4. The Dialogue’s Open-Ended Conclusion
Theaetetus ends without a final answer to the question of what knowledge is. Socrates departs for his court trial (which we later learn leads to his death in the Apology).
Socrates: “The investigation must continue.”
This open ending reinforces a key theme of the dialogue: Philosophy is not about quick answers but enduring questions.
Key Philosophical Themes
1. Epistemological Relativism
Can truth be subjective?
If all perceptions are valid, can anything be false?
2. The Nature of Error
What does it mean to be wrong?
Is ignorance just the absence of knowledge, or something deeper?
3. The Limits of Language and Explanation
Can we ever fully explain what we know?
How do we account for intuition, memory, and tacit understanding?
4. The Philosophical Method
Socrates doesn’t offer dogma—he refines, tests, and purifies thought.
Philosophy is a process, not a product.
Wisdom and Takeaways
True knowledge requires more than belief—it demands clarity and justification.
Perception is unreliable; wisdom must look beyond appearances.
Philosophy is an endless questioning, not a fixed doctrine.
Failure to define knowledge is not failure—it is the beginning of wisdom.
Conclusion
Theaetetus offers a profound inquiry into what it means to know. Though it ends in aporia (no definitive answer), it sharpens the reader’s awareness of the complexity of knowledge. Socrates teaches that understanding begins with recognizing our ignorance—and with that, the soul is stirred into motion.
In solitude, I can become my true and authentic self. The path less traveled is where I feel most comfortable, away from the distractions of society. The noise and chatter of other people often pull me away from my core, but when I’m alone in nature, I find clarity. The outskirts of the city, the open spaces, and the quiet forests offer a peace that allows me to fully engage with who I am.
Early Lessons from Nature
From a young age, I was drawn to nature. The Wissachn forest in my backyard became my playground, where I built teepees with sticks, climbed trees, explored caves, and created my own adventures. Indoors, I spent time alone with toy warriors, crafting stories and battles in my mind. Even then, I found strength in solitude. This independence, cultivated through hours of playing alone, gave me a foundation of self-reliance and creativity that has carried me through life.
Reflection and Mortality
Solitude allows me to reflect deeply on life and mortality. Each moment of quiet offers a space to contemplate the bigger questions: Why are we here? How do we spend our time wisely? Ancient texts, like the Bible and Greek philosophy, have guided my reflections. These timeless pieces of wisdom have stood the test of time, offering insights that are often lost in the noise of modern media.
I find these texts offer more value than most things society tells us to focus on today. The pursuit of fame, wealth, and superficial status fades in comparison to the timeless lessons found in these works. Mortality reminds us that life is fleeting, and it pushes me to focus on what truly matters.
The Importance of Religion and Community
Religion once held communities together, providing shared morals and purpose. Today, we often replace religion with bureaucracy or shallow ideologies. I’ve seen firsthand the power of faith in uniting people, especially during my time in Jericho, where I prayed in a mosque with brothers, and in Zambia, where the village came together around stories of Jesus.
These experiences taught me the importance of striving to become the best version of ourselves. When we live with purpose, grounded in something larger than ourselves, we create stronger communities. Treating others as we would like to be treated, as Jesus taught, is a principle that has the power to change the world, starting with our immediate environment.
Health and Self-Sufficiency
Solitude also allows me to focus on what truly matters: health and self-sufficiency. My time in the Peace Corps in Zambia taught me how to live with less and rely on myself. From slaughtering goats and plucking chickens by hand to drawing water from a well, I learned the value of physical labor and the rewards of self-reliance.
In contrast, modern life often pushes us to chase material wealth—cars, vacations, and status symbols that ultimately hold little value. True wealth lies in health, the ability to move freely, walk upright, and enjoy the outdoors. It’s in these simple yet meaningful aspects of life that I find purpose and satisfaction.
Finding Peace in Nature
By distancing myself from society’s distractions, I’ve aligned with nature and found peace in simplicity. Whether it’s through photography, exploration, or simply walking through the woods, the solitude I find in nature allows me to thrive. I’ve finally found my place, standing tall amidst the ruins of modernity, and embracing a life that is rooted in purpose, health, and peace.
