EDIT WITH THUMBNAILS

Editing with Thumbnails: A Simple Workflow for Culling Photographs

Keeping a straightforward workflow is essential when editing and culling photographs. One of the most efficient ways I’ve found to review and select images is by viewing them as small thumbnails. This approach streamlines the process and allows me to maintain an objective perspective on what really stands out.

The Power of Thumbnails: Finding the “Keepers”

When it comes to selecting the best images, thumbnails are everything. Viewing photographs as small thumbnails is the ultimate method to decide what truly holds up. If an image has impact at a reduced size, it will likely maintain that power when viewed larger. My process is simple: after importing my images to the iPad photos app, I view them in a 3×3 grid. Tapping each thumbnail individually lets me quickly evaluate which shots have the strength and presence to make the cut.

“Viewing your photographs as small thumbnails is the ultimate way to decide what is a ‘keeper.’”

This method doesn’t just speed up the process; it makes it more efficient, allowing me to assess my images at a glance.

Print Small: Making Selections Tangible

The next step in my workflow is to print small. Instead of creating full-size prints right away, I print eight images on a single 4×6 sheet using the Canon Selphy CP1500 printer. This allows me to physically lay out multiple images on my table, making it easy to shuffle, organize, and compare them.

“Printing small thumbnails lets me shuffle things around much easier than using full-size 4×6 prints.”

This process is invaluable when culling a large archive of work. By printing small, I can move images around, group them, and even tape the best ones into a sketchbook to carry around and review at my leisure.

Take Your Time: Objectivity Through Patience

I’m currently sitting on a massive archive, and I’m making it a point to take my time. Viewing work with an objective perspective requires distance—not just physical but temporal. I’ve learned to detach from the time spent photographing, letting the images “breathe” so I can come back to them with fresh eyes. There’s no need to rush; Instagram can wait. Instead, I prefer culling offline, free from the urge to share too soon.

“There’s no reason to rush to get the work out there. Just delete your Instagram and keep culling offline.”

Create a Dedicated Space for Viewing

One of my favorite techniques is setting up a wall of prints. I place my selections against my squat rack, allowing me to view them as I work out. Hanging from my pull-up bar gives me a unique perspective, letting me take in the photos in a relaxed state. This approach not only combines my workflow with my workout, but it also lets me actively engage with the images in a physical way.

“I set up a wall of prints against my squat rack so I can just hang from my pull-up bar, workout, and actively look at the photographs.”

Key Steps in My Thumbnail Editing Workflow

Import and view in thumbnail form: Use a 3×3 grid on the iPad for efficient selection.
Print small thumbnails: Print eight images per 4×6 sheet to lay out and organize.
Tape into a sketchbook: Carry your selections with you for ongoing reflection.
Set up a viewing wall: Engage with your photos in a dedicated space to gain perspective.
Take your time: There’s no rush—detach from your photoshoot and review with patience.

Thumbnails are a powerful way to simplify the culling process, allowing for quick, efficient, and objective review. By keeping the workflow minimal and tactile, I’m able to stay close to the essence of my work without getting overwhelmed.

Photograph the outskirts

Photographing the Outskirts: Embracing the Road Less Traveled

When exploring a new place, there’s a certain thrill in venturing beyond the well-trodden paths. The outskirts—the areas most overlook—often hold the most compelling scenes. For me, photographing along the peripheries of a city offers an experience that goes beyond mere documentation. It’s about following intuition and trusting that some of the best stories are waiting off the main stage.

The Allure of the Peripheral

In Mexico City, I felt drawn to the mountainous outskirts rather than the bustling tourist hot spots. There’s something about following that gut feeling, a sense that the real pulse of a place often beats stronger on its edges. During this trip, I found two of my most successful photographs—not within the city’s central attractions, but out on the fringes, where life plays out with an honesty and grit often unseen by visitors.

Taking the Road Less Traveled

The locals at the mountain’s base were adamant: it wasn’t safe to climb higher. They warned me, with genuine concern, that the area was far from tourist-friendly. But something urged me to press on, to see for myself what stories were hidden further up. By the time I reached the peak, I had discovered a unique scene: two men constructing a home at the highest point in the area. The rawness of the scene, the sense of purpose in their work, all contributed to a composition that felt powerful and real.

The experience became even more significant when I climbed a ladder on-site and noticed a statue of Jesus nearby. I felt compelled to make the cross a central element in my frame, anchoring the composition around it. As one of the workers shouted, “Mexico, Mexico!” his gesture mirrored the outstretched arms of Jesus on the cross, just as a storm cloud loomed over the mountain. In that instant, the atmosphere, the gesture, and the religious symbol converged, creating a photograph filled with both drama and intimacy.

“The moral of the story is to always follow your gut. If you have an instinctual feeling that a particular location has potential, just go there and explore it for yourself.”

Follow Your Gut and Create Your Own Path

Photographing the outskirts means embracing unknown territory, venturing into places that often lack the polish of popular spots but are rich in character and unfiltered life. The outskirts, with their rawness and unpredictability, demand patience and openness.

Key Takeaways for Photographing the Road Less Traveled:

Trust your instincts: If a location calls to you, follow it. Your intuition is often a reliable guide.
Be patient and explore: Take time to observe and interact. The best frames often emerge from spending time with the people and trying different vantage points.
Find significance in the environment: Use elements around you—like a statue, a cross, or even the sky’s mood—to deepen the story in your frame.
Carve your own path: Resist the pull of the usual tourist or photographic landmarks. Your unique experience lies beyond them.

The outskirts may not have the obvious allure of popular locations, but they hold the potential for powerful storytelling. Trusting your instincts, exploring with curiosity, and immersing yourself in the lesser-known places opens up scenes and stories that are both meaningful and evocative. The road less traveled isn’t just a path—it’s a perspective.

Create mystery with street photography

Creating Mystery in Street Photography

Street photography isn’t about capturing scenes in the most obvious way. To infuse mystery into an image, you need to follow your instincts and trust your gut. Let go of what’s expected and embrace the subtle, often overlooked elements around you. The more you lean into the unexpected, the more potential your photograph has to captivate and create a sense of intrigue.

Build Your Own Story

Every street scene offers a story, but how you tell it is up to you. Recently, while observing a distant protest, I noticed a group of Jewish men dancing around a puddle on the ground. Instead of photographing them from eye level, I dropped to the ground to capture their reflection. The use of reflection added a layer of mystery to the frame, creating a scene that’s both abstract and grounded in reality. By changing perspective and using the environment to my advantage, the photograph took on another dimension, inviting viewers to interpret the scene in their own way.

“Not only does the use of reflection add mystery to the frame, but it also creates another dimension to the photograph.”

When you approach the streets, think of yourself not just as a photographer but as a storyteller. Allow the frame to capture more than what’s in front of you—capture what’s hidden, what’s hinted at, and what can only be guessed.

Photography as a Puzzle

Street photography is a visual game, a puzzle that requires both patience and spontaneity. Although life may present you with fascinating scenes, not every moment translates into a powerful photograph. The key lies in finding the right place at the right time, listening to that inner instinct that guides you to where you need to be. It’s not just about seeing life; it’s about positioning yourself within it.

“A great photograph is made by a photographer who throws themselves onto the frontlines of life.”

Great photographers don’t just react to the external world; they listen to the world within themselves—their gut, their intuition—and create frames that elevate the moment into something timeless.

Elevate Life in Your Frame

In street photography, you often have only seconds to decide how to frame a scene. By getting closer to your subject and paying attention to details—gestures, movement, and environmental elements like reflections, light, and shadows—you elevate the photograph. Each of these elements adds depth, allowing you to craft an image that doesn’t just capture a moment, but creates an experience.

“Look for gestures, movement, and any elements that you can include in your frame to make your photograph have more depth.”

To bring mystery into your work, focus on how you frame life in its raw form. Rather than relying on the moment alone, explore different angles and compositions that invite the viewer to look closer and think deeper.

Key Techniques for Creating Mystery in Street Photography

Here are a few strategies to help you add mystery and depth to your street photography:

Trust your intuition: Let your gut guide you; don’t overthink the process.
Change perspectives: Experiment with angles, reflections, and different viewpoints.
Use environmental elements: Incorporate light, shadow, reflections, and movement to give your photos depth.
Capture gestures and movement: These add life and energy, drawing the viewer into the scene.
Focus on framing: A powerful composition can make the ordinary extraordinary, elevating the story in the frame.

Creating mystery in street photography means letting go of preconceived ideas and embracing the spontaneity of life. When you photograph the streets, you’re not just documenting; you’re solving a visual puzzle, using your eye to reveal what’s hidden in plain sight. The more you embrace mystery, the more powerful your images become.

Interact with people on the street

Engaging with People on the Street: A Key to Closeness in Street Photography

In street photography, interaction is as much a part of the process as the photography itself. Over the years, I’ve discovered that closeness in street photography isn’t just about physical proximity; it’s also about connecting emotionally with the subject. When you’re on the street, don’t shy away from interaction—it’s a critical part of my approach, one I’ve learned to appreciate deeply.

Closeness: Beyond Physical Proximity

When most people think about closeness in street photography, they often imagine being physically close, like the in-your-face styles of photographers such as Bruce Gilden or William Klein. While physical proximity has its place, there’s a different kind of closeness I aim for—an emotional closeness. This connection goes beyond merely capturing a person’s image; it’s about forging a bond, even if it’s only for a moment.

In my early days of photography in Baltimore, I naturally gravitated toward a documentary approach, making my presence known, talking with people, and earning their trust. Through interaction, I was able to capture genuine moments, building a rapport that allowed for a more intimate exchange. For me, this closeness is about more than snapping an image; it’s about understanding and respecting the space I share with my subjects.

Embrace Interaction as a Tool, Not an Obstacle

Street photographers often get caught up in the fly-on-the-wall mentality, aiming to go unnoticed. This approach has its benefits—you capture people in their natural state, undisturbed by your presence. However, I’ve come to see interaction as an essential tool in my kit. You don’t always have to be invisible to capture meaningful images. Sometimes, engaging with people, talking, making jokes, and showing genuine curiosity opens doors to moments you’d never capture by standing on the sidelines.

“Interaction is a tool that you can add to your toolkit to increase the probability of you making a successful photograph.”

I’ve experienced this firsthand. Recently, while traveling with a local photographer, I stumbled into a scene where families were celebrating a feast day. By simply joining in the festivities, dancing and sharing laughs, I was able to capture intimate, joyful moments that felt far more authentic. The photographs became closer to life itself, reflecting the spontaneous energy and warmth of the celebration.

Breaking Barriers with Authenticity

Connecting with people on the street requires more than a camera; it demands openness and honesty. Don’t hide your camera. Instead, let it be an extension of your curiosity. If you approach people with sincerity, they’ll be more inclined to let you in. Simple gestures, like learning a few words in the local language or showing a genuine interest in their lives, go a long way in bridging the emotional distance.

“The way to get closer is through being playful, open, and honest with your intentions. Don’t hide your camera.”

When I lived in a village in Zambia, I spent months with a host family, and by the time I left, we were like family. The photographs from that period reflect a unique warmth, not just because I was physically close, but because I had truly become part of their lives. These experiences taught me that spending time and building trust leads to photographs with a soul.

Time and Familiarity: Closeness in Familiar and New Places Alike

Whether you’re photographing in a familiar place or somewhere entirely new, spending time is invaluable. The longer you’re in a location, the more comfortable people feel with you, and the richer your photos become. This doesn’t mean you always need days or weeks; sometimes, a few moments of genuine interaction can create an opening. Engage with people, join in on their stories, and let the interaction guide you.

“You know, it’s not just about putting the camera closer—it’s everything but that.”

The key is to immerse yourself fully, embracing the surroundings and the people. When I think of William Klein’s work, he wasn’t just shooting the streets; he was living them. His presence is felt in every shot because he engaged deeply with the people. I approach the street with a similar mindset: connecting, conversing, and making my presence a part of the photograph.

Tips for Getting Closer to Life on the Streets

To truly embrace closeness in street photography, here are a few guiding principles:

Engage openly: Don’t shy away from conversation. Approach with curiosity, share a smile, or make a friendly comment.
Show genuine interest: People can sense authenticity. Let them know you care about their story, not just their photograph.
Spend time: Whether minutes or hours, time spent in the space naturally builds comfort and trust.
Break down barriers: Physical closeness isn’t the only closeness; emotional connection creates richer images.
Have fun: Don’t take it all too seriously. Enjoy the unpredictability of the streets and let interactions flow.

Ultimately, the street is a stage, and interaction is the rhythm that drives it. Embrace the spontaneity, the unpredictability, and the energy of the people you meet. Let go of pretense, step out from behind the lens, and allow closeness to guide you. By making your presence a part of the experience, you’re not just a photographer; you’re part of the story.

Just produce more photos

Just Produce More Photos

When it comes to photography, the ultimate priority is simple: produce new photos every day. Stop overthinking about perfection or presentation—just get out there, camera in hand, and create. Each day you’re out shooting, you’re adding to a growing archive, each photo a step closer to honing your unique voice.

Go Full Force

Set audacious goals. Push yourself to capture more than you think possible. I strive to make a thousand photos a day. Yes, it sounds insane, but that’s the point—big goals fuel progress. Whether or not I reach a thousand, the purpose is to push, to challenge what I think I’m capable of, and to move beyond complacency.

Aiming High: When I travel, I often hit that thousand-photo mark daily, especially in places that inspire me. Mumbai, for instance, was a place where I truly pushed myself. My archive from those days is packed with thousands of images, each a slice of life captured in a moment. Here’s my workflow:

Take pictures, no holding back.
Cull the day’s photos quickly.
Upload to the cloud.
Repeat.

Don’t limit yourself to fewer photos. Make the goal big and commit to consistent production. With each shot, you’re training your eye, building your stamina, and improving your technique.

Treat Photos as a Stream of Becoming

When you shift your focus from perfection to production, your photos become part of an ongoing, ever-evolving collection. I approach my images as a continuous flow, a stream of becoming where each shot builds on the last. Don’t waste energy scrutinizing each image on the spot—just produce more, and over time, you’ll start seeing magic in the raw volume of work.

Motivation Through Movement

True motivation comes from the act of moving your body through the world, day after day. The more you walk, the more you see, and the more photos you’ll produce. In street photography, success isn’t just about taking a single, “perfect” shot; it’s about building a habit, a routine of constant creation. Let the will to photograph drive you—to take more shots, to walk further, and to stay curious.

Embrace the Present and Let Go

Detach from the outcome. Release any expectations around likes, shares, or praise. It’s about the journey, not the destination. By immersing yourself in the present moment, the world opens up to you. Every inch of the city becomes an opportunity, every step an invitation to capture the ordinary in extraordinary ways.

The Will to Photograph

Street photography is ultimately about tapping into your willpower and harnessing that energy to fuel your daily practice. Build a routine, strengthen your resolve, and let the camera become an extension of yourself. Commit to the path, embrace the process, and keep walking.

“He who walks the most shall win.”

The goal is simple: just produce more photos.

Street photography is all about walking

Street Photography is All About Walking

For a street photographer, walking is the ultimate practice. Perhaps the most hardcore and dedicated street photographer would be outside walking all day, exploring every alleyway, corner, and open space. The constant motion, the endurance — these become as much a part of the practice as the camera itself.

How Far Can You Go?

This is the question every street photographer should ask themselves: How far can you go? Imagine starting at sunrise and walking until sunset. Walking a half marathon or more in a single day is entirely within reach for those truly dedicated to capturing the city’s spirit. The city changes with every passing hour, and each step offers a new angle, a new opportunity.

“If you start in the morning for sunrise and walk until the sunsets, it’s more than possible to walk at least a half marathon.”

But is it possible to go even further? To push past a typical day’s journey and discover what lies beyond the limits of ordinary endurance?

The Will to Photograph

Street photography is about the will to power. It’s about tapping into your vitality and using that energy to fuel your daily practice. The more you walk, the more you see. The more you see, the more you shoot. It’s simple: he who walks the most shall win.

To improve in street photography, you must increase your strength and discipline. Commit to photographing every day, regardless of the outcome. Let go of expectations and embrace the process. Each step forward is a chance to capture something new, a moment that would otherwise be missed.

“Build your routine, strengthen your resolve, and make it a habit. Let the camera become an extension of your body. Move with purpose, and let the streets be your training ground.”

Stay curious, stay active, and keep walking. This is the path to mastery.

Consistency is Key

When it comes to street photography, consistency is everything. Motivation should derive from within. It’s all about movement — moving your body, moving through the world, and always being ready to make a photograph. Reframe the idea of success in street photography: it’s not about coming home with a single great photo. Success is in practicing daily, moving through the world, camera in hand, ready to capture whatever unfolds.

To truly thrive in street photography, you must detach from the external rewards and outcomes. Likes, social media, or gallery shows don’t define your work; the real goal is to embrace the practice itself. Recognize that failure is part of the process — that 99% of the time, you may not capture a “perfect” shot. Yet by showing up daily, ready to shoot, you build resilience and refine your eye.

Embrace the Zen of Street Photography

Street photography is more than just a pursuit; it’s a state of play and curiosity. Each step you take deepens your connection to the moment and the life unfolding before you. Shed any expectations, adopt a childlike curiosity, and let the streets guide your next frame. The path to mastery isn’t in the perfect shot but in the endless repetition, in learning to love the journey more than the destination.

The goal is to live in motion, to be fully immersed in the rhythm of the streets, letting life flow through you. Every photograph becomes an opportunity to affirm life, explore reality, and see the world with fresh eyes.

“Detach yourself from the outcome and simply enjoy the process of walking, recognizing the beauty in life’s mundane details.”

When it comes down to it, street photography isn’t about the gear, the settings, or the destination. It’s about walking with intent, embracing the world with a curious mind, and capturing the beauty of the now. So lace up, grab your camera, and start walking.

Street Photography at Parades and Events

Street Photography at Parades and Events

Today, while passing by City Hall, I noticed a flag-raising ceremony for Kosovo Independence Day. I often observe and photograph these flag-raising ceremonies throughout the year, but I find that the most interesting moments to photograph usually happen at the end of the event. This is often because most of the ceremony involves speakers—city council members, the mayor, and other officials—talking on the podium. Once that’s over, the crowd disperses, and the real energy of the event surfaces.

Shoot on the Outskirts

Some of the best moments often happen away from the main action. As a street photographer, it’s essential to keep an open mind and focus on the edges, the outskirts, and those quieter spaces. You don’t have to focus only on the main action or the “obvious” parts of the event. Instead, document the smaller moments that often go unnoticed, like a child holding a flag, or people lingering in conversation after the main event. These are the moments that tell the real story of an event.

“Sometimes, when the event is over, I find much more interesting moments to photograph.”

Photograph the Crowd

When at parades, ceremonies, or events, the crowd itself can be the most compelling subject. Rather than photographing just the main action, immerse yourself in the sea of spectators. The people watching the event offer unique perspectives, and their reactions reveal a deeper layer of the atmosphere. Look for expressions, interactions, and the dynamics within the crowd to capture the real essence of the day.

“You don’t always have to photograph the action itself; sometimes focusing on the things happening along the edges of the event is much more intriguing.”

By photographing from the outskirts, you capture the moments between moments, the overlooked scenes that give these events their personality and authenticity.

Approach parades and events with an open mind, letting the quieter details come into focus. There’s always more to capture on the periphery than you might expect.

Photograph it all

Photograph It All

In the past, I limited myself by only photographing people. For this past year, however, I’ve freed myself to photograph everything that catches my eye. It’s been the most exhilarating way to approach photography since the day I first picked up a camera over a decade ago.

Letting go of restrictions has opened up a world of possibilities in how I see and capture life.

Make a Collection

These days, I’m fascinated by the idea of creating a collection through photography. Instead of hoarding items in bins, boxes, and shelves, I capture them as photographs, making each image a form of ownership over the things I encounter. I wonder, is it possible to photograph every square inch of a city?

“Maybe like Pokémon, the goal is to catch them all!”

Each photo becomes a record — a part of my own evolving collection of life’s details.

Appreciate the Details

I now find myself photographing nearly everything, engaging with life on an entirely new level. Slowing down and investigating every inch of the streets has led me to see beauty in even the smallest, most ordinary moments. By tiptoeing through the city and appreciating the minute details, I’m drawn into a deeper interaction with my surroundings.

“Photographing everything opens up a new dimension to life. Every inch, every shadow, every detail holds a story.”

The world around us is full of details waiting to be noticed, and by paying attention to them, I’ve uncovered a newfound appreciation for the beauty everywhere.

Just Have Fun

Taking photography too seriously can stifle creativity. Opening yourself up to the infinite possibilities in the mundane makes every outing a new adventure. Every day on the streets, I find myself discovering new ways to play the same game.

Now, by photographing not only people but also found objects, landscapes, architecture, and even discarded items, I’ve tapped into the most curious version of myself.

“If you’re a photographer who has been strictly focused on people, try uplifting the discarded, the inanimate, the things that are left behind.”

When we allow ourselves to photograph it all, we embrace an endless source of curiosity, and that curiosity has the power to make life infinitely more interesting.

So get out there and photograph everything! By capturing all that surrounds us, we’re not just making pictures — we’re opening ourselves up to an infinite world of wonder.

Why gear doesn’t matter in street photography

Why Gear Doesn’t Matter in Street Photography

When it comes to street photography, gear and equipment are far less important than you might think. The heart of street photography is about forging a connection with the world around you, not with your camera’s specs or settings. Let’s dive into what truly matters when you’re on the street.

Clothing is Most Critical

In street photography, clothing and preparation for the elements are more important than the camera you’re carrying. Rain, wind, cold, or heat — they all come into play when you’re out for hours on the streets. Proper attire is essential to stay engaged in the moment.

“It’s starting to rain a bit here in the city, but with a raincoat down to my ankles and my hood up, I can stay out shooting no matter the conditions.”

When you’re dressed to handle the weather, you can focus on what’s happening around you. Essential items like a raincoat, hood, warm socks, and comfortable shoes (like Gore-Tex) can make a huge difference in your endurance. The right clothing keeps you out on the front lines of life and helps you thrive as a photographer.

One Camera, One Lens

One of the most effective ways to improve as a street photographer is to stick to one camera and one lens. With a consistent setup, you don’t get distracted by changing lenses or worrying about which focal length to use. You develop a deeper understanding of your equipment, allowing the technical elements to become second nature.

“When you want to talk about real gear — cameras, lenses — just stick to one lens and roll with it. The more you switch, the harder it becomes to connect with your subject.”

Street photography is about being fully present in the moment, and a single camera setup helps you achieve that. When you’re using a fixed lens, you naturally find yourself entering a state of flow, where you’re not thinking about composition or settings. Instead, you’re instinctively reacting to the rhythm of the street, capturing life as it unfolds.

Embrace the Present Moment

Street photography isn’t about chasing the “perfect” photograph. It’s about being in tune with the now and letting life flow through your lens. When you detach from specific outcomes and just focus on the act of observing, you begin to find joy in the everyday moments that others might overlook.

“Forget about framing or lighting details. When you’re on the street, you’re simply affirming life, asking questions about the world, and embracing the now.”

Allow your gear to fade into the background, so you can concentrate on the human connection. The camera should feel like an extension of your hand, ready to capture anything that speaks to you without hesitation. This meditative approach frees you from the confines of technicality, helping you see life’s beauty with a fresh perspective.

The Power of a Simple Setup

When you simplify your setup, it’s easier to stay in tune with the rhythm of the street. Whether it’s studying the way people’s feet hit the ground or watching the wind sway leaves, you’ll find that street photography is less about the gear and more about your relationship with the world in front of you. Embrace the zen-like practice of moving through the city, capturing whatever resonates.

“Walking through the streets with one lens, you enter a flow state where you observe everything around you — from mundane textures to complex human expressions — finding meaning in every frame.”

Street photography becomes a way of being, a way to engage deeply with the world. With one camera, one lens, and minimal gear, you’re free to focus on the subjects, the stories, and the essence of the street itself.

Gear Obsession is a Distraction

Gear obsession pulls you away from what really matters in street photography: engaging with the world around you and revealing its complex beauty. It’s easy to get lost in technical details and the quest for the latest gadgets, but the essence of photography is far more than pixels or precision. Photography isn’t about achieving perfection; it’s about capturing the beauty of a fleeting moment.

“There’s nothing between you and life except your curiosity and your camera — which is really just a tool to explore and affirm life.”

When you strip away the extra gear, you’ll find that you can immerse yourself fully in the street, capturing the details and textures of life in their purest form.

In street photography, the most important gear is you — your perspective, your curiosity, and your willingness to observe without judgment. Next time you head out, remember: it’s not about the camera, the lens, or the specs. It’s about how close you are to the moment and the life happening in front of you.

“Detach from the outcome, go slow, and let life flow. Photography gives meaning to life and helps you find beauty in the complexities of everyday moments.”

Forget about the gear and focus on what truly matters. Let the world be your canvas, and capture it with a sense of curiosity and wonder.

What is the goal of street photography?

What is the Goal of Street Photography?

After a decade of working on my photography, traveling the world, and honing my craft, I’ve reached some fundamental conclusions on the purpose of it all. I’ve come to realize that the goal isn’t about making “good” photos or achieving traditional markers of success. It’s about something far more internal and meaningful.

Forget About “Good” or “Bad” Photos

For a long time, I focused intensely on making “good” photographs, putting all my energy into creating images that would impress others. But this perspective has shifted. Now, the goal is simply to make new photos — to capture moments without worrying if they’re “good” or “bad.” Chasing the concept of a perfect or impressive photo can ultimately drain the joy from photography.

“The more you get caught up with making an ‘impressive’ photograph, the less fulfilling it becomes over time.”

Remain Curious

Curiosity is at the heart of street photography. The goal is to keep making pictures, to approach every day with a sense of wonder and openness. Think of Henri Cartier-Bresson, who gave up photography later in life. This is something I don’t want for myself. I want to embrace that child-like curiosity each morning, keeping my eyes wide open to the endless possibilities around me.

“Return to the child-like state every morning and keep your eyes wide open to the infinite possibilities of the streets.”

This curiosity isn’t just about photography; it’s about approaching life itself with a sense of adventure and exploration, allowing each moment to reveal something new.

Embrace the Spirit of Play

The world could be a much better place if adults embraced play. In street photography, this spirit of play is essential. If you approach photography with a serious mindset, focusing on creating a book, gallery, or career, it risks becoming empty. By seeing street photography as a form of play, I can engage with the world freely and without constraint. I can allow myself to explore, to smile, and to engage with my surroundings with pure enjoyment.

“When you consider this, think of photography as an excuse to go out there and to be in a state of play.”

Approaching photography as play, we give ourselves permission to create with lightness and joy — this is the essence of street photography.

A Different Kind of Goal

So, what is the goal? It’s not about achieving external success or fame. The goal is to depict what reality could be, not just what it is. It’s about seeing the world through a unique lens, capturing moments that elevate reality rather than just documenting it. If something even sparks your interest by 1%, take the photo.

“What will reality manifest to be in a photograph?”

Each photograph is an invitation to interpret, to extract something extraordinary from the ordinary.

Elevate Life Through Exploration

Photography is not just about capturing moments; it’s a way to live. The goal is to go out there, conquer the streets, and grow in strength, curiosity, and courage. Through meeting new people, traversing new lands, and experiencing life to the fullest, street photography allows us to cherish life itself. Each photograph is a celebration of existence and an opportunity to connect with something beyond the mundane.

“Your goal isn’t to get patted on the back. Your goal isn’t to seek anything of this world, but to go beyond this Earth.”

The ultimate goal is to push past earthly concerns and to focus on a deeper, more transcendent form of expression. Street photography is a practice that allows us to see the world differently, to capture the fleeting beauty of life, and to leave behind something meaningful.

To create from a place of pure curiosity and joy is the true goal. When you head out with your camera, remember to let go of expectations, to play, and to ask yourself:

“What new wonders will reality reveal through my lens today?”

Street photography, at its core, is about embracing the unknown, exploring with courage, and finding fulfillment beyond what the world expects of us.

Why black and white street photography?

Why Black-and-White Street Photography?

For the past year, I’ve been photographing exclusively in black and white. After years of shooting in color, this transition has changed my approach to street photography, my process, and even my understanding of the art itself. Let’s dive into what I’ve learned along the way and why this shift has been so impactful.

Why Make the Switch?

When I decided to move from color to black-and-white photography, I took a hard look at my relationship to the medium and the process I was following. I found that my previous workflow — shooting in color, processing RAW files, and editing in Lightroom — had become slow and cumbersome, especially with the sheer volume of photos I take. This new approach has allowed me to reconsider the entire photographic process, from capturing moments on the street to culling and organizing at home.

“I desire to go out and make pictures in a quick way where what I see is what I get in the camera.”

Ultimately, switching to black and white has streamlined my workflow and enhanced my connection to the process itself.

Speed and Simplicity

One of the biggest motivations behind my switch was speed. With my Ricoh GR III, I now shoot in high-contrast black and white using small JPEG files. These files, around 4MB each, allow me to photograph continuously without worrying about file size or lengthy processing times. I no longer need to sit at my computer, tinkering in Lightroom.

“By adopting this workflow, I can import thousands of photos from the day at lightning speed directly into the iPad Pro Photos app.”

This fast, streamlined process frees up more time for shooting and reduces the technical overhead of editing. It’s about getting back to the basics and focusing on the act of capturing moments rather than managing files.

Moving Beyond Documentary: Abstracting Reality

In my transition to black-and-white photography, I’ve shifted from a documentary approach to one focused on abstracting reality. In the past, I aimed to depict scenes as they were, capturing reality as faithfully as possible. Now, I’m more interested in creating images that depict what life could be rather than just what it is.

“I simply observe life, place myself and the camera in a particular way, but what the camera sees is what I get.”

Through black and white, I can experiment and push the boundaries of what a photograph can be. The high contrast and absence of color make it easier to focus on shapes, forms, and textures, allowing each shot to become an artistic interpretation of the moment rather than a literal representation.

The Aesthetics of Black and White

With high contrast settings cranked to the max on my Ricoh, black-and-white photography has allowed me to create images that are aesthetically beautiful straight out of the camera. Black and white has an aesthetic power that goes beyond the beauty of color; I find it to be sublime in its simplicity. The deep shadows and stark highlights bring out a timeless quality, while freeing me from depending on golden hour lighting or perfect weather conditions.

“The aesthetics are very sublime and beyond beauty when I crush the shadows to deep black and focus only on what is in the highlight areas.”

In black and white, every condition is suitable. There’s a purity to it that lets me work with what’s in front of me, regardless of the time of day or lighting.

Back to Basics: Relearning Photography

Switching to black and white has been a way for me to reevaluate everything from the ground up. It’s liberating to strip away color and focus solely on light, shadow, and form. This shift has been rejuvenating, allowing me to approach photography with fresh eyes and an open mind. In many ways, it feels like I’m learning the fundamentals all over again.

“I believe all photographers should be able to photograph in both color and black and white.”

By stepping back to black and white, I’m not only simplifying my process but also enriching my understanding of photography itself. Going forward, it feels natural to continue exploring this medium, challenging myself to create striking images without relying on color.

Switching to black-and-white photography has reshaped my approach to street photography, my workflow, and my perspective on the art. It’s a return to simplicity, efficiency, and experimentation — qualities that fuel my passion for capturing the streets and pushing the boundaries of what a photograph can convey.

Photo books are good for inspiration

Photo Books Are Good for Inspiration

Studying the history of photography is an excellent way to refine your aesthetic tastes and understand what truly resonates with you in a photograph. A great starting point is finding a few photo books that speak to you and returning to them repeatedly over the years. When a particular photograph stands out, keep coming back to it — it becomes ingrained in your mind and shapes your perspective.

“I think you know you’ve found a successful photograph when it sticks with you over time.”

Photo Books as Art Objects

Beyond inspiration, photo books are beautiful objects to keep in your home. They add character to shelves and tables, making for a more personal and enjoyable decor. In the evening, flipping through a photo book feels far more enriching than watching TV. It’s a chance to unwind, dive into someone else’s vision, and reflect on art.

Photo books are also wonderful for sharing. For friends and family who may not understand photography, handing them a book filled with years of work gives them a deeper appreciation of the art. Flipping through a well-curated collection reveals the power of imagery and storytelling in a way words can’t.

“A photo book allows family and friends to appreciate art in a way that’s accessible and engaging.”

Tips for Using Photo Books for Inspiration:

Select a few favorites and return to them over time.
Identify standout images that stick with you and reflect on why they resonate.
Use photo books as decor, making them part of your everyday environment.
Share them with others to spark conversations and deepen appreciation.

Photo books hold lasting value. They’re not only sources of inspiration but also timeless art objects that bring creativity into your space and provide a gateway to share the beauty of photography with others.

My Photography Book Collection

How to photograph famous landmarks

How to Photograph Famous Landmarks

In 2023, I had the chance to photograph three iconic locations known for street photography: Coney Island, Rome, and Paris. These destinations challenged me to use my skills in new ways and capture scenes that had been photographed countless times before.

Why Photograph These Locations?

Photographing famous locations presents a unique challenge — they’re places where countless photographs have already been taken. But as a street photographer, you can make these familiar scenes your own, leaving your mark through your unique perspective. Photographing at these landmarks is about pushing yourself creatively, capturing not only the essence of the location but also your personal interpretation of it.

Coney Island

Go Where the Action Is

During a weekend in New York City, I took to the shoreline of Coney Island, where the beach provided lively and unusual subjects. Walking along the beach, I chose to face away from the ocean and looked toward the boardwalk to include the famous amusement rides in the background. A beachside basketball game caught my attention — it was unlike anything I’d seen before, and I knew it would be my main subject.

“I honed in on the moments when the players went for a dunk, making the most of this famous location for street photography.”

Pro Tip: Go where the action is. Landmark locations often have multiple attractions or scenes. Find a unique one that captures the spirit of the location and shows it in a new way.

Rome

Study the Scene

The Colosseum was my main target in Rome. Knowing that capturing this iconic landmark required patience, I committed to visiting it daily for several weeks, studying the light and the various ways I could compose a shot.

“By walking towards the Colosseum each day, I learned how the light played across it, especially at golden hour.”

To capture a strong composition, I found that keeping a distance allowed the Colosseum to act as a backdrop. I waited in this position, letting tourists pass, creating a dynamic composition with both light and shadow.

Pro Tip: Study the scene and be willing to revisit a landmark multiple times. Showing up at the right time, like during golden hour, will give you access to stunning light and unique opportunities to capture the scene.

Paris

Find the Layers

I spent only two days in Paris, so I knew I had to make each moment count. On my first night, I made my way to the Eiffel Tower. To capture the elegance of Paris, I positioned myself across a bridge, where I could use layers in my composition.

“I observed women making photos along the bridge wall, capturing the beauty and elegance of Paris with the Eiffel Tower as a glowing backdrop.”

I positioned myself strategically at the curb to include a foreground, middle ground, and background in the composition. The foreground showed passersby on the sidewalk, while my focus remained on a woman seated on the ledge in the middle ground, with the Eiffel Tower illuminated in the background.

Pro Tip: Use layers to add depth to your photos of famous landmarks. Positioning elements in the foreground, middle ground, and background helps create a dynamic image that draws the viewer in.

Photographing famous landmarks isn’t just about documenting what’s there; it’s about capturing a new angle and telling a story through your lens. Whether you’re at a beach, a historic structure, or a world-famous tower, approach these locations with creativity and patience to capture a memorable shot.

Street Photographers should make selfies

The Case for Selfies in Street Photography

What’s popping, people? Today, I want to share a message for street photographers: take selfies. We’re usually focused on others — getting up close, capturing spontaneous moments of strangers, making candid photos without permission. But I think it’s time we turn the camera on ourselves, too. Self-portraits allow us to explore new creative angles, experiment with lighting, and see ourselves as part of the art.

“Perhaps it’s time for street photographers to rise up and embrace the selfie. Become a subject, too!”

Embrace the Selfie as Part of Street Photography

Taking selfies is more than a creative exercise; it’s a way to see yourself in the world of street photography. With selfies, you get to play with light, gestures, and unique perspectives. Stand by a window to use natural light, try holding the camera upside down, or experiment with horizontal and vertical compositions. Look out the window, look toward the light, or use your hands to frame the shot. The possibilities are endless.

“Your face, your gestures, your body — they all become pieces of a larger creative exploration.”

Quick Setup Tips

For this, I recommend:

Camera: Compact options like the Ricoh GR III are ideal.
Settings: P mode, single-point autofocus, and adjust your snap focus if you’re using one.
Angle: Try flipping the camera upside down, look toward natural light, and use the environment around you to create a unique composition.

Selfies don’t need to be flawless — it’s about trying something new and embracing the spontaneity of the moment.

Boost Confidence and Make Art of Yourself

There’s something powerful about seeing your own face as part of your work. Taking selfies can actually boost your confidence and make you appreciate yourself as a subject. When you turn the camera on yourself, you’re creating a new narrative, one where you become part of the street photography ethos.

“It makes your face a piece of art. Your body is a work of art.”

And think about it — if there’s nothing else around to photograph, you’re always there. Photograph your hands, your face, or even the way light interacts with your features. These self-portraits can be simple but powerful, reminding you that you’re always available as a subject.

The Freedom to Create

This kind of self-portraiture is about unlimited creative exploration. Using a compact camera like the Ricoh GR, you can easily turn the lens on yourself and experiment without needing fancy setups or extra equipment. The selfie is accessible, allowing you to see yourself in new ways and let your creativity thrive.

“There’s so much to photograph; everything and anything can become photographable, including you.”

Many photographers throughout history didn’t have the same ease of taking selfies as we do now. Today, with compact cameras and the convenience of modern technology, we have a unique opportunity to experiment and make ourselves part of the art. So, take advantage of this moment.

Make Selfies Part of the Process

Next time you’re out photographing, remember to turn the camera on yourself. Selfies aren’t just fun — they’re a way to connect with your creativity and experiment. By capturing yourself as part of the scene, you’ll build confidence, learn new techniques, and add a personal dimension to your street photography.

So, when in doubt, take a selfie. Your creativity doesn’t stop with others; it starts with you.

Mundane Street Photography

Mundane is the name of the game in street photography. By embracing the ordinary, we open ourselves to the infinite potential that surrounds us. You can walk down the same lane over and over again — whether in sunshine or rain — and still find something to photograph. The key is to approach the world with an open mind, ready to see beauty in the most unexpected places.

“There’s always going to be a potential to make a photograph, but you must open your mind to the infinite possibilities that exist throughout the world.”

It doesn’t matter where you are or what city you’re in. There is always something waiting to turn your perspective around. Through the power of photography, we can take the most mundane things and turn them into something infinitely beautiful. Everything is photographable, and there are no limits to what you can capture.

Consider the Ordinary as Extraordinary

In mundane street photography, everything becomes fair game — from inanimate objects to textures, candid snapshots, and portraits. This approach isn’t about complex compositions or finding characters who dominate the frame. It’s about seeing the beauty in the overlooked and the forgotten. For example, a random plastic item on the street, anchored by a shoe, has its own story and presence. By photographing it, you can find humanity in even the simplest scenes.

“Embrace the world in a state of play through a childlike perspective, and the mundane life around you will become the most beautiful subject for a photograph.”

Instead of defining street photography by specific rules, recognize that anything and everything can fall under its umbrella. Every mundane thing you see has the potential to become a captivating image.

Open Your Mind and Experiment

To capture the mundane, approach each outing with curiosity and a willingness to experiment. Bring your camera closer to objects, go into macro mode, or focus on the textures and details that most people overlook. Photograph faces, create portraits, and explore both candid and posed moments. Photography doesn’t have to be perfect — instead, it’s about capturing what feels true.

“I like to move quickly, photographing without asking permission, because it takes less time. I’m all about speed, longevity, and curiosity, always looking for the next picture.”

The point is to keep moving, exploring, and discovering the potential in the next moment, the next texture, the next subject. Each image builds upon the last, creating a continuous flow of visual exploration.

Embrace the Beauty of the Mundane

As street photographers, we sometimes get caught up in preconceived notions — waiting for a dramatic moment, a distinctive character, or a perfectly layered composition. But mundane street photography invites us to go beyond that, to look for beauty in the everyday. What might seem like a boring or forgotten detail becomes vibrant when seen through a fresh lens.

“When you raise the camera and observe things from your perspective, you’re abstracting life through the medium, creating something out of nothing.”

This approach allows you to creatively thrive by treating every photo as a work in progress, embracing imperfection, and constantly seeking the next frame. When you open your mind and explore the mundane, street photography becomes a practice that fuels your curiosity and passion for life.

So, let go of rigid rules, and let street photography be your gateway to finding beauty in the ordinary. When you approach the world with this perspective, you’ll find that the mundane is anything but boring — it’s alive with possibility.

Snapshot Street Photography

What’s popping, people? It’s Dante here, hitting the streets of Philly. Today, I want to talk about something I’m passionate about: the snapshot approach to street photography. This style celebrates imperfection, spontaneity, and curiosity — the kind of photography where you let the chips fall where they may, and see what reality manifests in a photograph. It’s about extracting and abstracting from life itself, embracing the beauty of imperfection. When you focus on making perfect compositions, photos can become stale and lose their vibrancy.

Consider the Snapshot

When you embrace the snapshot aesthetic, you let go of the idea of “perfect.” The best tool for the job? A Ricoh GRIII or IIIx strapped to your wrist, set to AV mode at F8 with snap focus set to 2 meters. With this setup, you’re free to move through the city, capturing moments without needing to worry about autofocus hunting.

“I think when you play more and don’t take your photography so seriously, you unlock more creative potential.”

Treat the world as your canvas. In snapshot street photography, anything can become a subject — from the textures on the floor to the patterns on walls, to faces, people, and architecture. By embracing an amateur mindset and returning to a state of play, you make photography more fun. Go back to being an amateur photographer, open yourself up to the smallest details, and remember that the mundane holds infinite potential.

Channel Your Inner Lust for Life

I hope to share my love for the world around me — that sense of wonder and awe within life itself. As a photographer, channeling a lust for life is essential. Become a flaneur in your own town, walk carelessly, but photograph with intention and intensity. Street photography is more than just an art form; it’s an ethos, a way of seeing and experiencing life. Don’t worry about “good” or “bad” photos. Instead, let curiosity drive you to explore and engage with the world in fresh, authentic ways.

“To me, everything and anything becomes interesting; I’m not just taking snapshots randomly — certain things stick out, and I recognize them.”

Even something as simple as the reflections in a window or the historic lampposts in Philadelphia can inspire. Uplift these details, champion humanity in your shots, and embrace the unique beauty of everyday life.

Simplify Your Gear and Process

To keep things flowing, simplify your setup. Shoot in the smallest JPEG possible, set high contrast on the Ricoh, and skip the RAW files and Lightroom process. Instead, use the Photos app on the iPad — it’s faster, simpler, and helps you stay productive. This high-contrast, black-and-white look is beautiful straight out of the camera, and with a simplified process, you’re able to upload, cull, and share your photos more quickly.

“Pro tip: Just use the smallest JPEG possible with high contrast cranked to the max on the Ricoh.”

Here’s my process in brief:

Shoot in high contrast black and white for an aesthetic straight out of the camera.
Import directly into the Photos app (quicker than Lightroom).
Upload to your blog (I use Bluehost with the Astra theme on WordPress) to share your work easily.
Back up to Google Photos for cloud storage.

This streamlined approach allows me to get out there more, enjoying the spontaneity and vibrancy of street photography without being bogged down by heavy editing.

Embrace the Street’s Rhythm

When you’re out there, pay attention to the beat of the street. Observe how people move, notice the small details, and let the city’s rhythm guide you. You want to loosen up, stay “Loosey Goosey,” and capture moments with an eye for spontaneity.

“There’s infinite potential in this approach. Don’t get locked into one way of seeing or a single subject; let your curiosity lead the way.”

Street photography is about recognizing the endless possibilities around you and constantly moving forward, making photographs in a stream of becoming. Let go of perfection, treat every photo as a work in progress, and embrace the journey of photography. The goal is longevity — to keep photographing, keep finding beauty in the simple and the overlooked, and to let your curiosity fuel your love for life.

In a world of complexity, snapshot street photography reminds us to simplify, embrace imperfection, and stay curious. The beauty lies in the everyday, the forgotten, and the discarded. So go out there, loosen up, and enjoy the thrill of making pictures that satisfy your soul.

Study the street

Study the Street

Street photography is more than a style — it’s an ethos, a way of engaging with and viewing the world. Don’t let basic definitions or ideas from books or videos restrict you. Just go out there with an open mind, driven by curiosity and intuition, and see what you discover.

Photograph on Repeat

To truly understand a place, it’s essential to photograph the same area repeatedly, at different times and in different conditions. Go out in all types of weather, at different times of the day, throughout the week, month, and year. Embrace the elements and observe how they change the scene.

Look for the everyday patterns in your city. Perhaps there’s a street vendor who sets up at the same time each day or familiar faces like security guards and janitors you’ll see again and again. Interact with them. This awareness helps you understand the city’s rhythm, which in turn can deepen your photography.

“When you study the way in which your city operates on a day-to-day basis, this can actually help you with your photography.”

Keep It Simple

Don’t let gear or settings slow you down. Keep it simple by shooting in P mode and just focusing on making the shot. Overthinking settings or aiming for the “perfect” picture can hold us back. The simpler and faster your approach, the more opportunities you’ll have to capture moments spontaneously.

“The simpler and faster your approach to making pictures and culling through photographs, the more you can actually study the work itself.”

Make Slideshows

This past year, I’ve found that slideshows are an excellent way to study my work. Viewing photos in consecutive order lets me retrace my steps, revealing patterns in how I see and shoot. By reviewing your own photos, you can draw inspiration from the way you see the world, not just from other photographers or galleries.

“The more photographs you make, the more photographs you have to study from and draw inspiration from.”

Tip: Dig into your own archive and reflect on the photos you’ve taken. A slideshow can highlight subtle details you might otherwise miss, helping you learn from your work in a new way.

The Beat of the Street

When you’re on the street, pay attention to the rhythm and movement around you. Observe the way people walk, the cadence of feet on the pavement, and the subtle “dance” of pedestrians. This rhythm, or beat of the street, helps you stay in tune with fleeting moments, always ready to capture something spontaneous.

“The point is, the more you study the street itself, the better your photographs will become.”

Street photography is about being connected to the world around you. By embracing simplicity, studying your work, and aligning yourself with the rhythm of the street, you’ll make better pictures — the kind that satisfy your soul. Keep photographing, keep studying, and you will inevitably become a better photographer.

How to photograph decisive moments

How to Photograph Decisive Moments

The decisive moment is a key concept in street photography. It’s about capturing those fleeting, spontaneous moments that reveal the essence of life itself. To master this, a photographer must be present, attentive, and in sync with the world around them.

Timing is Critical

In photographing decisive moments, timing is everything. Being in tune with the streets requires eagerness, patience, and a constant state of observation. A photographer should be like a hunter, always ready to pounce. You must be prepared to press the shutter at the exact right moment, capturing the scene as it unfolds in an instant.

“A photographer that is eager, yet patient and always observing life is more prone to having good timing.”

The art of timing is about sensing when a moment is about to occur and being ready to capture it.

Anticipation

Anticipation is essential in street photography. By anticipating, you can capture moments before they even fully form. To do this, pay close attention to patterns in human behavior — watch people’s hands, notice gestures, and observe how feet dance across the street.

“I like to watch the hands of people and the gestures they make or observe the feet of people and how they dance upon the street.”

Even the behavior of pigeons or the flight of birds can help you learn to anticipate movement. Observing these patterns helps you understand the rhythm of the street, allowing you to sense when a decisive moment is approaching.

Preparation

In street photography, preparation means always carrying your camera. The streets are unpredictable, and decisive moments come and go quickly, so you need a camera you’re comfortable carrying everywhere. For me, that’s the Ricoh GRIII — small, pocketable, and always within reach. With the right camera, you’re ready to shoot swiftly when the moment strikes.

“When you are prepared with the camera, you are always ready to photograph with speed as the moments occur.”

Intuition

Photographing decisive moments requires listening to your gut and intuition. With practice and repetition, you develop an instinct for these fleeting instances. This isn’t something that can be studied — it’s about immersing yourself in the flow of the street and honing your skills by making pictures.

“If anything, study the street! Become in tune with the beat of the street and get ready to press that shutter before the moment fleets.”

Through practice, you’ll find yourself naturally attuned to the streets, and your intuition will guide you to capture those decisive moments effortlessly.

Mastering the decisive moment is about timing, anticipation, preparation, and intuition. By immersing yourself in the rhythms of the street, you’ll be ready to capture the essence of each moment as it unfolds. Keep your eyes open, your camera ready, and trust your instincts — the streets are full of decisive moments waiting to be captured.

Why I prefer using an LCD screen for street photography

Why I Prefer Using an LCD Screen for Street Photography

For street photography, I’ve come to rely on the LCD screen over a viewfinder. It offers flexibility, keeps me stealthy, and allows me to capture moments from fresh angles and perspectives. The viewfinder, in my opinion, is one of the most overrated pieces of camera technology. You simply don’t need it. All you need is an LCD screen to see the scene unfold and frame the shot.

“If you’re seasoned enough, you can just point the camera and know what’s going to be in the frame.”

See from a New Perspective

The LCD screen unlocks new perspectives and angles that can change how you photograph. When you shoot through a viewfinder, you’re often limited to eye-level shots. While you can adjust your body, using an LCD screen is far more liberating. I can place the camera at high angles, low angles, or even shoot from the hip without feeling restricted.

“When I photograph using an LCD screen, I can place the camera at a very high angle or a very low angle with ease.”

These added angles create more nuanced and dramatic compositions. It’s about breaking free from the eye-level frame and giving yourself permission to explore new ways of seeing. I sometimes even use a technique where I pretend to adjust my sleeve while holding the camera in one hand, allowing me to shoot from above. The LCD screen makes it simple to glance and check the composition from any angle.

Blend in Like a Tourist

Street photography is often about blending in and staying stealthy. With an LCD screen, you look less like a “serious photographer” and more like a tourist snapping casual shots. People tend to assume you’re just another person using their phone or a point-and-shoot camera. This works to your advantage — people aren’t as aware of you, letting you capture more candid, authentic moments.

“When you see somebody walking around with the LCD screen in front of their face, it seems as if they don’t actually know how to operate a camera.”

By blending in, you can get closer to people without making them feel self-conscious. The LCD screen allows you to work unnoticed and stay in the flow of the environment.

The Limitations of the Viewfinder

To me, the viewfinder limits composition by boxing you into that single, eye-level perspective. You can always crouch or go prone, but that approach can be cumbersome and unnatural, especially in spontaneous street photography. With an LCD screen, you’re free to move, create dynamic compositions, and adjust on the fly.

“When you use an LCD screen, you can place the camera at high or low angles, adding nuance and drama to your compositions.”

While glare can sometimes make the LCD tricky to use, its flexibility far outweighs this minor inconvenience. Once I started using the LCD screen on my Ricoh and X-Pro 3, I found it trumps the viewfinder in almost every way, especially with tilt screens or fixed LCDs. It’s a more intuitive, natural way to photograph.

Embracing a New Approach to Street Photography

In street photography, you don’t need to follow old-school conventions. The viewfinder often represents a traditional notion of how “serious” photographers shoot. But we’re evolving, and so are our tools.

“Stop following these old-school notions of what a photographer does or how a photographer operates.”

Using the LCD screen is about seeing the world in a new way, with freedom, flexibility, and creativity. Embrace this “new school” approach, and let the LCD screen become your window to fresh perspectives on the streets.

10 things I learned from practicing street photography for a decade

10 Things I Learned from Practicing Street Photography for a Decade

Over the years, I’ve learned a lot about street photography. With over a decade of photographing every single day, the practice has brought me deep fulfillment and a rich sense of meaning. So, what have I learned? Let’s dive into the key lessons.

1. The Name of the Game is in the Mundane

If there’s one thing I’ve learned, it’s that the magic is in the mundane. You can walk the same street daily and still find something new to capture. Life may seem boring, but there’s always a potential photograph to be made.

“Use photography as a vehicle to continue exploring, no matter how boring, blasé, or dull life may seem.”

Create your own world and live each day like it is a dream.

2. Movement Makes Improvement

The more you move, the more you’ll see, and the more you’ll photograph. Walking allows you to encounter endless adventures, especially when you take the roads less traveled.

“The more that we explore, the more in life that we can adore.”

With each step, hold your head high, shoulders back, and chest open. The act of walking fuels your curiosity and keeps you moving forward in your photography.

3. Travel is the Greatest Teacher

Travel has been my biggest teacher. During my studies at Hebrew University in Jerusalem, I explored both Israeli and Palestinian areas, even volunteering on a kibbutz and with a Palestinian family. This immersion opened me to new perspectives, taught me the value of simple living, and deepened my empathy.

“In order to learn and grow, you must throw yourself into the unknown.”

I continued my travels with the Peace Corps in Zambia, living in a remote village, depending on a borehole for water and learning the local language. These experiences taught me the profound value of freedom and living in harmony with the land.

4. Remain Open to New Experiences

Throw yourself into every new place with an open mind. Whether it’s food, cultural practices, or religion, approach it without expectations.

“Street photographers thrive in chaos.”

Being open makes each new adventure richer and ensures that, at the end of life, our memories and experiences are the ones we cherish most.

5. Champion Humanity

When photographing people, aim to uplift them. Capture moments with the goal of honoring humanity, whether it’s a small encounter or a significant life event. Treat every person like a hero, and make them shine in your photographs.

“I desire to uplift the human experience to great heights.”

Let street photography transcend simple documentation. Let it become a tribute to humanity.

6. Photography Takes Time

Street photographers often become discouraged when they don’t achieve immediate results. But remember, photography takes time. After a decade of daily shooting, only a handful of my images are ones I consider truly successful.

“Go slow and enter the zen zone. When I photograph, I exist outside the passage of time!”

Don’t stress about results. Embrace an autotelic mindset: photograph simply for the joy of photographing.

7. Don’t Take Yourself Too Seriously

Street photography doesn’t need to be overly serious. Enjoy the process, and connect with people playfully. Whether it’s giving away Instax prints, beatboxing, or dancing with strangers, having fun keeps the experience light and memorable.

“I treat the street like a playground. I am just a big kid with a camera!”

When we loosen up, our photography becomes an expression of joy and curiosity.

8. There’s No Such Thing as Good or Bad Photographs

What makes a photograph good or bad? In reality, it’s all subjective. Shoot for yourself, without concern for contests, galleries, or external validation.

“Everything is fair game!”

Let go of others’ opinions, trust your vision, and recognize that all photographs have value.

9. Curiosity is the Goal

Curiosity fuels street photography. Each morning, approach the world with a fresh perspective, asking questions through every frame. Let the camera be your passport, guiding you to new people, places, and experiences.

“Wield the camera like a sword and cut through the chaos of life, putting order within your frames!”

10. Street Photography is an Ethos

Street photography is simply a way of seeing and experiencing the world. It’s an ethos, a set of personal values that brings us closer to the roots of photography. Forget arbitrary rules and definitions.

“There are no rules, there are no guidelines, there are no ethics to street photography!”

Define your own rules, and let street photography be your path to exploring and understanding life on your terms.

These lessons have shaped my approach to street photography and have deepened my appreciation for life itself. The camera is a tool, but curiosity is the real engine. Keep learning, stay open, and let the streets guide you.